Belarusian clothing

thumb|Vasily Tropinin, Lady from [[Podolia, before 1821. A woman in vyshyvanka]] thumb|Basic structure of garment

thumb|A wimple as shown in Portrait of a Woman, 1430–1435, by Robert Campin (1375/1379–1444), National Gallery, London. The wimple is constructed of four layers of cloth and the pins holding it in place are visible at the top of the head. thumb|Monumental brass of Margaret, Lady Camoys (d.1310), St George's Church, Trotton, West Sussex. This is the earliest surviving brass of a female figure in England. She wears around her neck a wimple (or gorget) which hides the chin and sides of the face. This style of dress continued in fashion until the end of the reign of King Edward III (1327–1377).

thumb|Polish noble Stanisław Antoni Szczuka (1652–1710) in a representative national Polish outfit. A red kontusz tied with a [[pas kontuszowy. Underneath a żupan with a low collar. Left hand holds a fur cap with a low band. Characteristic hair and moustache. Unknown artist.]] thumb|Noble Zaporozhian Cossacks|Ukrainian Cossack in a yellow [[żupan and red kontusz.]] A kontusz is a type of outer garment worn by the Hungarian and Polish–Lithuanian male nobility. It became popular in the 16th century and came to the Polish–Lithuanian Commonwealth rule via Hungary from Turkey. In the 17th century,

cloth sash used for girding a kontusz (a robe-like garment)

Russian high boots with felt booleg