Church frescos in Italy

Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic and Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence". Giorgio Vasari described Giotto as making a decisive break from the prevalent Byzantine style and as initiating "the great art of

Italian Renaissance painter from Florence (1448–1494)

220px|thumb|Crucifixion between Sts. Jerome and Christopher|The Crucifixion with Sts. Jerome and Christopher, 1471, oil on wood, 59 × 40 cm, [[Galleria Borghese, Rome]] 220px|thumb|Fresco at Siena Cathedral depicting [[Pope Pius II]] Pinturicchio, or Pintoricchio (, ; born Bernardino di Betto; 1454–1513), also known as Benetto di Biagio or Sordicchio, was an Italian Renaissance painter. He acquired his nickname (meaning "little painter") because of his small stature and he used it to sign some of his artworks that he produced during the fifteenth and sixteenth centuries.

chapel in Padua, Italy

Romanesque church in Milan

cathedral church of Monza, Italy

oratory/private chapel with cycle of frescos by Lorenzo Lotto

Italian painter (1560-1620)

painting by Pietro Perugino

building in Naples, Italy

fresco by Antonio da Correggio

Chapel in San Gimignano

building in Spello, Italy

fresco by Lorenzo Lotto

cycle of frescos by Filippo Lippi