File:Anouk_Aimee_-_1963.jpg · Wikimedia Commons · See Wikimedia Commons
Anouk Aimée was a French actress who had a long career in film spanning from the 1930s until her death in 2024. She is remembered as an important figure in French cinema during much of the 20th century.
AI-generated from the Wikipedia summary — may contain errors.
Person · Open Library
- Born
- 1932
- Works
- 1
Top works
- Fables de La Fontaine en bandes dessinées
via Open Library + Wikidata
Film & TV
Acting · Paris, France
Nicole Françoise Florence Dreyfus (April 27, 1932 – June 18, 2024), known professionally as Anouk Aimée, was a French film actress. She began her film career in 1947 at age 14 until 2019 and appeared in 70 films. She won the 1967 Golden Globe Award for Best Actress - Motion Picture Drama and was nominated for an Academy Award for Best Actress for her role in the film that brought her…
Known for
- L'Œuvre invisible — Self2026
- Ciao Marcello - Mastroianni l'antidivo — Self (archive footage)2024
- Shoot to Live — Self2022
- Jean-Louis Trintignant - Mystérieux et insaisissable2022
- Trintignant by Trintignant — Self (archive footage)2021
- Fellinopolis — Self - Actress (archive footage)2021
- Hossein, Ronet, Trintignant : Confidences de trois acteurs inoubliables2021
- Morceaux de Cannes2021
- The Best Years of a Life — Anne Gauthier2019
- Aznavour by Charles — Self - Actress (archive footage)2019
via TMDB
Music · MusicBrainz
- Type
- Person
- Gender
- Female
- Country
- France
- Active from
- 1932
- Active to
- 2024
via MusicBrainz · CC0
Listeners · Last.fm
- Listeners
- 418
- Total plays
- 2,204
<a href="https://www.last.fm/music/Anouk+Aim%C3%A9e">Read more on Last.fm</a>
Recent publications · Crossref
5 total works indexed
- Radiotherapy plus Concomitant and Adjuvant Temozolomide for Glioblastoma
· 2005 · cited 18,369x
- Effects of radiotherapy with concomitant and adjuvant temozolomide versus radiotherapy alone on survival in glioblastoma in a randomised phase III study: 5-year analysis of the EORTC-NCIC trial
· 2009 · cited 6,531x
- CpG islands and the regulation of transcription
· 2011 · cited 2,760x
- IPCC, 2023: Climate Change 2023: Synthesis Report. Contribution of Working Groups I, II and III to the Sixth Assessment Report of the Intergovernmental Panel on Climate Change [Core Writing Team, H. Lee and J. Romero (eds.)]. IPCC, Geneva, Switzerland.
· 2023 · cited 2,496x
- Scientists’ warning to humanity: microorganisms and climate change
· 2019 · cited 1,742x
via Crossref · CC0
Wikidata facts
- Mass
- 64
- Image
- Anouk Aimée Harcourt 1952.jpg
- Height
- 1.73
- Number of children
- 1
Show 9 more facts
- Commons category
- Anouk Aimée
- date of birth
- 1932-04-27
- birth name
- Nicole Françoise Florence Dreyfus
- start of work period
- 1947-00-00
- name in native language
- Anouk Aimée
- P12749
- Franz Anton
- date of death
- 2024-06-18
- end of work period
- 2019-00-00
- pseudonym
- Anouk Aimée
Sources (15)
via Wikidata · CC0
~13 min read
Article
Nicole Françoise Florence Dreyfus ( French pronunciation: [nikɔl fʁɑ̃swaz flɔʁɑ̃s dʁɛfys]; 27 April 1932 – 18 June 2024), known professionally as Anouk Aimée (French: [anuk ɛme]) or Anouk, was a French film actress who appeared in 70 films from 1947 until 2019. Having begun her film career at age 14, she studied acting and dance in her early years, besides her regular education. Although the majority of her films were French, she also made films in Spain, the United Kingdom, Italy and Germany, along with some American productions.
Among her films are Federico Fellini's La dolce vita (1960), after which she was considered a "rising star who exploded" onto the film world. She subsequently acted in Fellini's 8½ (1963), Jacques Demy's Lola (1961), George Cukor's Justine (1969), Bernardo Bertolucci's Tragedy of a Ridiculous Man (1981), and Robert Altman's Prêt à Porter (1994). She won the Golden Globe Award for Best Actress in a Motion Picture – Drama and the BAFTA Award for Best Actress and was nominated for the Academy Award for Best Actress for her acting in A Man and a Woman (1966). The film "virtually reignited the lush on-screen romance in an era of skeptical modernism", and brought her international fame.