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Anton Bruckner

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Anton Bruckner

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Also known as Joseph Anton Bruckner, Josef Anton Bruckner

Austrian composer (1824-1896)

AI overview

Anton Bruckner was an Austrian composer who lived from 1824 to 1896 and is known for his symphonies and sacred music. His works are considered important contributions to classical music, blending traditional forms with ambitious, large-scale compositions that influenced later composers.

AI-generated from the Wikipedia summary — may contain errors.

Person · Open Library

Born
1824
Died
1896
Works
157

via Open Library + Wikidata

Music · MusicBrainz

Type
Person
Gender
Male
Origin
Austria
Active from
1824-09-04
Active to
1896-10-11
austrianaustrian composerclassicalcomposereuropeanromantic classical

via MusicBrainz · CC0

Listeners · Last.fm

Listeners
298,874
Total plays
2,051,813

Tags

Classicalromanticaustriancomposerssymphony

Similar artists

Gustav MahlerRichard StraussLudwig van BeethovenFranz SchubertJohannes Brahms

Joseph Anton Bruckner (4 September 1824 – 11 October 1896) was an Austrian composer and organist known primarily for his symphonies and sacred music, which includes Masses, Te Deum, and motets. His symphonies are regarded as representative of the later period of Austro-German Romanticism, noted for their rich harmonic language, complex polyphony, and extended length. Bruckner's compositions contributed to the development of contemporary musical styles through their use of dissonance, unexpected modulations, and shifting harmonies. <a href="https://www.last.fm/music/Anton+Bruckner">Read more on Last.fm</a>

via Last.fm · Anton Bruckner

Quotes

  • They want me to write differently. Certainly I could, but I must not. God has chosen me from thousands and given me, of all people, this talent. It is to Him that I must give account. How then would I stand there before Almighty God, if I followed the others and not Him?

via Wikiquote · CC BY-SA

Works in European collections

36 objects attributed to Anton Bruckner, held across European museums, libraries & archives · via Europeana

Grosse Messe nr. 3 F moll [Música notada]

Grosse Messe nr. 3 F moll [Música notada]

Symphonie No. 9 für grosses Orchester

Symphonie No. 9 für grosses Orchester

Symphonie No. 7, E dur [Música notada]

Symphonie No. 7, E dur [Música notada]

Symphonie No. 9, D moll [Música notada]

Symphonie No. 9, D moll [Música notada]

Symphonie no. 9, D moll [Noted Music]

Symphonie no. 9, D moll [Noted Music]

Exhibition in e-moll: 4th sentence: Sanctus/Anton Bruckner

Exhibition in e-moll: 4th sentence: Sanctus/Anton Bruckner

Messe in e-moll : 1. Satz: Kyrie; 2. Teil / Anton Bruckner

Messe in e-moll : 1. Satz: Kyrie; 2. Teil / Anton Bruckner

Te Deum: “The Deum laudamus”/(Anton Bruckner)

Te Deum: “The Deum laudamus”/(Anton Bruckner)

Exhibition in e-moll: Gloria (2nd part)/Anton Bruckner

Exhibition in e-moll: Gloria (2nd part)/Anton Bruckner

Exhibition in e-moll: 2nd sentence: Gloria; 2nd part/Anton Bruckner

Exhibition in e-moll: 2nd sentence: Gloria; 2nd part/Anton Bruckner

Tedeum : 2nd sentence Te ergo; 3rd set of Aeterna fac/Anton Bruckner

Tedeum : 2nd sentence Te ergo; 3rd set of Aeterna fac/Anton Bruckner

Innsbruck, ich muss dich lassen : Lied aus dem 15. Jahrhundert

Innsbruck, ich muss dich lassen : Lied aus dem 15. Jahrhundert

Os insti [Os justi]: Motette

Os insti [Os justi]: Motette

Exhibition in e-moll: 2nd sentence: Gloria; 1st part/Anton Bruckner

Exhibition in e-moll: 2nd sentence: Gloria; 1st part/Anton Bruckner

Exhibition in e-moll: 1st sentence: Kyrie; 1st part/Anton Bruckner

Exhibition in e-moll: 1st sentence: Kyrie; 1st part/Anton Bruckner

Tedeum: 4th set Salvum fac/Anton Bruckner

Tedeum: 4th set Salvum fac/Anton Bruckner

Exhibition in e-moll: Benedictus (1st part)/Anton Bruckner

Exhibition in e-moll: Benedictus (1st part)/Anton Bruckner

Exhibition in e-moll: 3rd sentence: Credo; 2nd part/Anton Bruckner

Exhibition in e-moll: 3rd sentence: Credo; 2nd part/Anton Bruckner

Tedeum: 5th set in te, Domine speravi/Anton Bruckner

Tedeum: 5th set in te, Domine speravi/Anton Bruckner

Mass in e-moll: 6th sentence: Agnus; 2nd part/Anton Bruckner

Mass in e-moll: 6th sentence: Agnus; 2nd part/Anton Bruckner

Mass in e-moll: 6th sentence: Agnus; 1st part/Anton Bruckner

Mass in e-moll: 6th sentence: Agnus; 1st part/Anton Bruckner

Exhibition in e-moll: 5th sentence: Benedictus; 2nd part/Anton Bruckner

Exhibition in e-moll: 5th sentence: Benedictus; 2nd part/Anton Bruckner

Tedeum : 1. Satz Tedeum / Anton Bruckner

Tedeum : 1. Satz Tedeum / Anton Bruckner

Exhibition in e-moll: 3rd sentence: Credo; 3rd part/Anton Bruckner

Exhibition in e-moll: 3rd sentence: Credo; 3rd part/Anton Bruckner

Te Deum: “Tu rex gloriae, Christe!”/(Anton Bruckner)

Te Deum: “Tu rex gloriae, Christe!”/(Anton Bruckner)

Linz, AT-OOeLB, Hs.-1053 (Gutachten Adalbert Stifters über den Jahresbericht der k.k. Normalschule in Linz sowie Briefe etc., saec. XIX) [nach Konrad Schiffmann]

Linz, AT-OOeLB, Hs.-1053 (Gutachten Adalbert Stifters über den Jahresbericht der k.k. Normalschule in Linz sowie Briefe etc., saec. XIX) [nach Konrad Schiffmann]

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Encyclopedic overview

Joseph Anton Bruckner (/ˈbrʊknər/; German: [ˈantoːn ˈbʁʊknɐ] ; 4 September 1824 – 11 October 1896) was an Austrian composer and organist best known for his symphonies and sacred music, which includes Masses, Te Deum and motets. The symphonies are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies.

Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed respect, even humility, before other famous musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. The German conductor Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several versions of many of his works.

Excerpted from Wikipedia’s “Anton Bruckner” article, available under the CC BY-SA 4.0 licence.

Gallery (10)