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baglamas
EntityQ528239· pop 12· linked from 45 articles

Also known as baglamadaki

Baglamas tuning|thumb|left The baglamas ( ), plural baglamades) or baglamadaki (), a long necked bowl-lute, is a plucked string instrument used in Greek music; it is a smaller version of the bouzouki pitched an octave higher (nominally D-A-D), with unison pairs on the four highest strings and an octave pair on the lower D. Musically, the baglamas is most often found supporting the bouzouki in the Piraeus city style of rebetiko.

Key facts

Instrument.name
Baglamas
Instrument.names
Baglamadaki
Instrument.image
Greek baglama in opened case.jpg
Instrument.image_capt
Greek baglamas in opened case
Instrument.background
string
Instrument.classification
Necked bowl lutes String instruments
Instrument.hornbostel_sachs
321.321-6
Instrument.hornbostel_sachs_desc
Composite chordophone sounded with a plectrum
Instrument.related
Barbat (lute), Baglamadaki, Bağlama, Biwa, Bouzouki, Dombra, Domra, Dutar, Lavta, Lute, Mandocello, Mandola, Mandolin, Mandole, Oud, Pipa, Qanbus

via Wikipedia infobox

Wikidata facts

Image
GreekBaglama1.jpg
Show 2 more facts
Commons category
Baglamas
Hornbostel-Sachs classification
321.321-5
Sources (1)

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Article

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Baglamas tuning|thumb|left The baglamas ( ), plural baglamades) or baglamadaki (), a long necked bowl-lute, is a plucked string instrument used in Greek music; it is a smaller version of the bouzouki pitched an octave higher (nominally D-A-D), with unison pairs on the four highest strings and an octave pair on the lower D. Musically, the baglamas is most often found supporting the bouzouki in the Piraeus city style of rebetiko.

The body is often hollowed out from a piece of wood (skaftos, construction) or else made from a gourd, but there are also baglamades with staved backs. Its small size (typically 21.5in, 55cm in total length, but only 4.5in, 12cm wide) made it particularly popular with musicians who needed an instrument transportable enough to carry around easily or small enough to shelter under a coat. During parts of the 20th century, players of the bouzouki and baglamas were persecuted by the government, and the instruments were smashed by the police.

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