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Belarmino

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Belarmino is a 1964 Portuguese docufiction. It charts the life and times of ex-boxer Belarmino Fragoso. It is one of the first films of the Portuguese Cinema Novo, itself part of a wave of New Cinemas sweeping the world in the 1960s, and a break from the previous tradition of Portuguese cinema exemplified by the comédia à portuguesa. Lopes's film was shown at the festivals of Pesaro and Salso-Poretta in Italy, garnered favourable reviews throughout Europe and won the Prémio da Casa da Imprensa back in Portugal. It was shown twice in 2024 at the Film Institute of the Museum of Modern Art, also

Film · TMDB

7.5

A portrait of Belarmino Fragoso, a veteran boxer in Lisbon nearing the end of his career. In a blend of reportage and re-enactment, the many vices of the once national featherweight champion are revealed against a background of the grim economics of boxing in 1960s Portugal.

Released: 1964-11-1972 minDir: Fernando LopesDocumentary, DramaBudget: $2,337

Cast

  • Belarmino Fragoso as O próprio (Boxer)
  • Maria Amélia Fragoso as A própria (Mulher de Belarmino)
  • Ana Paula Fragoso as A própria (Filha de Belarmino)
  • Júlia Buisel as A própria (Fadista)
  • Bernardo Moreira as O próprio (Contrabaixo)
  • Jean Pierre Gebler as O próprio (Saxofone)

Themes

  • sports
  • lisbon, portugal
  • psychologist
  • boxe

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Ratings

IMDb

7.5/10

519 votes

Year
1964
Runtime
80 min
Genres
Biography, Documentary, Drama

via IMDb

~12 min read

Encyclopedic overview

6 sections
Contents
  • Synopsis
  • The Experiential Strand
  • The Interview Strand
  • See also
  • References
  • External links

Belarmino is a 1964 Portuguese docufiction. It charts the life and times of ex-boxer Belarmino Fragoso. It is one of the first films of the Portuguese Cinema Novo, itself part of a wave of New Cinemas sweeping the world in the 1960s, and a break from the previous tradition of Portuguese cinema exemplified by the comédia à portuguesa. Lopes's film was shown at the festivals of Pesaro and Salso-Poretta in Italy, garnered favourable reviews throughout Europe and won the Prémio da Casa da Imprensa back in Portugal. It was shown twice in 2024 at the Film Institute of the Museum of Modern Art, also in 2024 at the Harvard Film Archive, and in 2020 was called a "hidden masterpiece" by New Yorker.

==Synopsis==

Excerpted from Wikipedia’s “Belarmino” article, available under the CC BY-SA 4.0 licence.

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