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Bertolt Brecht

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Bertolt Brecht

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Also known as Berŭtʻoltʻŭ Bŭrehitʻŭ, Pertōl Pirekcṭ, Mpertolt Mprecht, Pu-lai-hsi-tʻe, Pertōlṭ Pirekcṭ, Perṭōlṭ Pireṣṭ, Bertolt Breht, Bert Brecht

German poet, playwright, and theatre director (1898–1956)

AI overview

Bertolt Brecht was a German poet, playwright, and theatre director who lived from 1898 to 1956 and became one of the most influential figures in modern drama. He matters because he revolutionized how theatre could be used to make audiences think critically about society, rather than simply entertaining them passively.

AI-generated from the Wikipedia summary — may contain errors.

Person · Open Library

Works
22

Top works

  • The Messingkauf Dialogues
  • Seven plays
  • Gedichte I. 1918-1929.
  • Die Geschafte Des Herrn Julius Caesar
  • Die Driegroschenoper

via Open Library + Wikidata

Listeners · Last.fm

Listeners
13,233
Total plays
101,035

Tags

germanpoetryoperaBerlinlied

Similar artists

Klaus KinskiDagmar KrauseJohann Wolfgang von GoethePaul DessauClaire Waldoff

Bertolt Brecht (born Eugen Berthold Friedrich Brecht; 10 February 1898–14 August 1956) was a German poet, playwright, and theatre director. His collaboration with composer Kurt Weill in particular created popular music classics such as Mack The Knife and Alabama Song. An influential theatre practitioner of the twentieth century, Brecht made equally significant contributions to dramaturgy and theatrical production, the latter particularly through <a href="https://www.last.fm/music/Bertolt+Brecht">Read more on Last.fm</a>

via Last.fm · Bertolt Brecht

Authority record · VIAF

Lifespan
1898–1956
Nationality
DE, US, SE, DK, DEU
Role / Field
Theatrical producers and directors, Screenwriters, Poets, Poetas, Playwright, Theater production and direction
Language
ger, deu
Gender
Male

Recorded by 47 libraries

via VIAF · OCLC

Quotes

  • People remain what they are even if their faces fall apart.
  • A man who strains himself on the stage is bound, if he is any good, to strain all the people sitting in the stalls.
  • The main objective is to learn to think crudely. Crude thinking is the great one's thinking.
  • Do not treat me in this fashion. Don't leave me out. Have I notAlways spoken the truth in my books? And nowYou treat me like a liar! I order you:Burn me!
  • Let nothing be called natural In an age of bloody confusion, Ordered disorder, planned caprice,And dehumanized humanity, lest all things Be held unalterable!
  • Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.

via Wikiquote · CC BY-SA

Wikidata facts

Image
Bundesarchiv Bild 183-W0409-300, Bertolt Brecht.jpg
Show 10 more facts
birth name
Eugen Berthold Friedrich Brecht
pseudonym
Berthold Larsen
Commons category
Bertolt Brecht
date of birth
1898-02-10
date of death
1956-08-14
Commons gallery
Bertolt Brecht
name in native language
Bertolt Brecht
P8168
Rosa
P12674
Saraland
Sources (15)

via Wikidata · CC0

Works in European collections

27 objects attributed to Bertolt Brecht, held across European museums, libraries & archives · via Europeana

~40 min read

Article

Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known as Bertolt Brecht and Bert Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote The Threepenny Opera with Elisabeth Hauptmann and Kurt Weill and began a lifelong collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, Brecht wrote didactic Lehrstücke and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the Verfremdungseffekt.

When the Nazis came to power in Germany in 1933, Brecht fled his home country, initially to Scandinavia. During World War II he moved to Southern California, where he established himself as a screenwriter while being surveilled by the FBI. In 1947, he was part of the first group of Hollywood film artists to be subpoenaed by the House Un-American Activities Committee for alleged Communist Party affiliations. The day after testifying, he returned to Europe, eventually settling in East Berlin, where he co-founded the theatre company Berliner Ensemble with his wife and long-time collaborator, actress Helene Weigel.

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