Also known as Agnolo di Cosimo, Angelo Bronzino, Angelo Allori, Agnolo Tori di Cosimo di Mariano Bronzino, Angiolo Bronzino, Agnolo Di Cosimo, Agnolo di Cosimo Bronzino, Agniolo di Cosimo di Mariano Tori Bronzino
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair.
Bronzino was an Italian Renaissance painter from Florence (1503–1572) known for his Mannerist style, which departed from the more naturalistic approach of earlier Renaissance art. He remains historically significant as a major figure in 16th-century Italian painting and an important representative of the Mannerist movement.
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36 objects attributed to Bronzino, held across European museums, libraries & archives · via Europeana
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair.
He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist, but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, Venus, Cupid, Folly and Time, c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift.
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