File:Alessandro_Allori,_santissima_trinità,_1567-1571_circa,_ritratto_dei_maestri,_bronzino_(cropped).jpg · Wikimedia Commons · See Wikimedia Commons
Bronzino
Sign in to saveAlso known as Agnolo di Cosimo, Angelo Bronzino, Angelo Allori, Agnolo Tori di Cosimo di Mariano Bronzino, Angiolo Bronzino, Agnolo Di Cosimo, Agnolo di Cosimo Bronzino, Agniolo di Cosimo di Mariano Tori Bronzino
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair.
Bronzino was an Italian Renaissance painter from Florence (1503–1572) known for his Mannerist style, which departed from the more naturalistic approach of earlier Renaissance art. He remains historically significant as a major figure in 16th-century Italian painting and an important representative of the Mannerist movement.
AI-generated from the Wikipedia summary — may contain errors.
Person · Open Library
- Born
- 1937
- Works
- 33
Top works
- Tissue engineering and artificial organs
- Neuroengineering
- Biomedical imaging
- Biomechanics
- Biomechanics
via Open Library + Wikidata
Music · MusicBrainz
- Type
- Person
- Gender
- Male
- Country
- Italy
- Active from
- 1503
- Active to
- 1572
via MusicBrainz · CC0
Listeners · Last.fm
- Listeners
- 8
- Total plays
- 17
<a href="https://www.last.fm/music/Bronzino">Read more on Last.fm</a>
Recent publications · Crossref
5 total works indexed
- Prenatal malnutrition and development of the brain
· 1993 · cited 535x
- The effects of protein malnutrition on the developing central nervous system in the rat
· 1978 · cited 290x
- Alexandrium fundyense cyst dynamics in the Gulf of Maine
· 2005 · cited 165x
- Scalability and Performance Evaluation of Edge Cloud Systems for Latency Constrained Applications
· 2018 · cited 93x
- Bispectral analysis of the rat EEG during various vigilance states
· 1989 · cited 86x
via Crossref · CC0
Key facts
- Artist.name
- Bronzino
- Artist.image
- Alessandro Allori, santissima trinità, 1567-1571 circa, ritratto dei maestri, bronzino (cropped).jpg
- Artist.image_size
- 200px
- Artist.caption
- Portrait of Bronzino by Alessandro Allori,
- Artist.birth_name
- Agnolo di Cosimo
- Artist.birth_place
- Florence, Republic of Florence
- Artist.death_place
- Florence, Duchy of Florence
- Artist.known_for
- Painting
- Artist.movement
- Mannerism
- Person.child
- yes
- Person.signature
- Allori Alessandro il Bronzino.jpg
via Wikipedia infobox
Described at
Bronzino — Google Arts & Culture
Agnolo di Cosimo, usually known as Bronzino or Agnolo Bronzino, was an Italian Mannerist painter from Florence.
google.com →Agnolo di Cosimo, usually known as Bronzino or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best known work, Venus, Cupid, Folly and Time, c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift. He trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures always appear calm and somewhat reserved, lacking the agitation and emotion of those by his teacher. They have often been found cold and artificial, and his reputation suffered from the general critical disfavour attached to Mannerism in the 19th and early 20th centuries.
Excerpt from a page describing this subject · 7,220 chars · not written by Vinony
Wikidata facts
- Image
- Alessandro Allori, santissima trinità, 1567-1571 circa, ritratto dei maestri, bronzino (cropped).jpg
Show 11 more facts
- Commons category
- Agnolo Bronzino
- date of birth
- 1503-11-17
- Commons Creator page
- Agnolo Bronzino
- birth name
- Agnolo di Cosimo di Mariano
- Commons gallery
- Agnolo Bronzino
- name in native language
- Agnolo Bronzino
- date of death
- 1572-11-23
- start of work period
- 1525-01-01
- end of work period
- 1572-01-01
- name
- Bronzino
Sources (8)
via Wikidata · CC0
Works in European collections
36 objects attributed to Bronzino, held across European museums, libraries & archives · via Europeana
Eleonore of Toledo, Duchess of Toscana, Consort Cosimo 1st of Medici
Portrait of the Grand Duke Cosimo 1 of Tuscany
Portrait of Eleonora da Toledo and her son
Portrait Stefano Colonna
Don Giannetto Doria
Portrait Cosimo I, Grand Duke of Tuscany
Portrait of Guidobaldo della Rovere
Portrait of Lucrezia Panciatichi
Portrait of a Lady
Simon and Kyrene helping Christ carry the cross
Martyrdom of Saint Lawrence
Female Portrait (Bianca Capello?)
Ugolino Martelli (1519-1592)
Pietà
Venus with a Satyr
García by Medici
Portrait of Luca Martini, engineer Cosimos I
Portrait Eleonora of Toledo, Consort Cosimos 1st of Tuscany
Portrait of Bartolomeo Panciatichi
Andrea Doria as Neptune
Portrait Gianettino Doria
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~17 min read
Article
24 sectionsContents
- Life
- Work
- Portraits
- Religious and allegorical subjects
- Selected works
- Florence
- Original sites
- Uffizi
- Elsewhere in Florence
- Elsewhere in Italy
- Europe and UK
- Austria
- Croatia
- France
- Germany
- Hungary
- Russia
- Spain
- UK
- North America
- Gallery
- References
- Further reading
- External links
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair.
He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist, but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, Venus, Cupid, Folly and Time, c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift.
Gallery (20)
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