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Claude Chabrol

File:Chabrol-italie-1985.png · Wikimedia Commons · See Wikimedia Commons

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Claude Chabrol

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Also known as Claude Henri Jean Chabrol

French film director (1930–2010)

OverviewAI-generated

Claude Chabrol was a French film actor, critic, director, and producer associated with the French New Wave movement. Born in the 10th arrondissement of Paris in 1930, he was educated at the Paris Medical Faculty and Lycée Louis-le-Grand. He worked for 20th Century Studios and Cahiers du cinéma, and resided in Paris. Chabrol spoke French, German, and English. He was married to Stéphane Audran and had a child named Thomas Chabrol.

Chabrol received the Louis Delluc Prize, the European Film Academy Lifetime Achievement Award, and the Golden Bear. He was nominated for the National Society of Film Critics Award for Best Director, the César Award for Best Director, the César Award for Best Original Screenplay or Adaptation, and the National Society of Film Critics Award for Best Foreign Language Film. He died of cancer in the 3rd arrondissement of Paris in 2010 and is buried at Père Lachaise Cemetery.

Synthesized by Vinony from 27 facts across 3 sources: Wikidata, TMDb, Vinony collections. Generated from structured data (not the Wikipedia text) and checked against those facts — may still contain errors.

In the Vinony graph

Vinony catalogs Claude Chabrol in its Golden Bear collection (160 entries).

Within Vinony's link graph, Claude Chabrol is referenced by 726 other articles, and connects out to auteur, Web of Passion and The Butcher.

Vinony files it under 1930 births, 2010 deaths and Burials at Père Lachaise Cemetery.

Its subject is documented across 56 Wikipedia language editions.

Film & TV

Paris, France

Claude Chabrol (24 June 1930 – 12 September 2010) was a French film director, a member of the French New Wave (nouvelle vague) group of filmmakers who first came to prominence at the end of the 1950s. Like his colleagues and contemporaries Godard, Truffaut, Rohmer and Rivette, Chabrol was a critic for the influential film magazine Cahiers du cinéma before beginning his career as a film maker.…

Known for

  • Stéphane Audran, la complice de Chabrol — Self (archive) - filmmaker2026
  • Mia Farrow: Shadows and Light — Self - Filmmaker (archive footage)2025
  • Godard Cinema — Self (archive footage)2023
  • Les cahiers du cinéma, la création d'une empreinte — Self (archive footage)2021
  • Sous le soleil de Pialat — Self (archive footage)2021
  • Jodie Foster: Hollywood Under the Skin — Self2021
  • Claude Chabrol, the Maverick — Self - Filmmaker (archive footage)2019
  • The Other Side of the Wind — Claude Chabrol2018
  • Cannes 1968, révolution au palais — Self2018
  • Vadim Mister Cool — Self (archive footage)2016

via TMDB

Wikidata facts

Instance of
human
Given name
Claude
Gender
male
Citizenship
France
Occupation
producer
Languages spoken
English language
Native language
French
Participant in
Documenta 6
Image
Chabrol-italie-1985.png
Height
1.75
Number of children
4
Motto
Oncques ne m’emmerde.
Residence
Paris
Significant event
marriage
Show 15 more facts
Commons category
Claude Chabrol
cause of death
cancer
date of birth
1930-06-24
date of death
2010-09-12
manner of death
natural causes
name in native language
Claude Chabrol
has works in the collection
Museum of Modern Art
birth name
Claude Henri Jean Chabrol
nickname
Chacha
start of work period
1956-00-00
end of work period
2010-00-00
Sources (15)

via Wikidata · CC0

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Encyclopedic overview

Claude Henri Jean Chabrol ( French: [klod ʃabʁɔl]; 24 June 1930 – 12 September 2010) was a French film director and a member of the French New Wave (nouvelle vague) group of filmmakers who first came to prominence at the end of the 1950s. Like his colleagues and contemporaries Jean-Luc Godard, François Truffaut, Éric Rohmer and Jacques Rivette, Chabrol was a critic for the influential film magazine Cahiers du Cinéma before beginning his career as a filmmaker.

His feature debut, Le Beau Serge (1958), was inspired by Hitchcock's Shadow of a Doubt (1943). Thrillers became a trademark for Chabrol, with an approach characterized by a distanced objectivity. This is especially apparent in Les Biches (1968), La Femme infidèle (1969), and Le Boucher (1970) – all featuring Stéphane Audran, who was his wife at the time.

Excerpted from Wikipedia’s “Claude Chabrol” article, available under the CC BY-SA 4.0 licence.

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