Daśarūpa
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Dasharupakam (Daśarūpakam) is a treatise on the structure and rules (Lakshana or Prakarana grantha) for popular theatre and drama presentations of the time, written by Dhananjaya in the 10th century. He was the court poet of Paramara king Munja. Several techniques and methods presented in the Natya Shastra and Dasharupakam are very much in use in today's theatre. The author starts with salutations, among others, to Bharata the author of Natya Shastra, whose detailed exposition he bases his work on. He however in his own words says that he has attempted to present the same in an ordered and con
In the Vinony graph
Within Vinony's link graph, Daśarūpa is referenced by 4 other articles, and connects out to International Standard Book Number, Natya Shastra and Bharata Muni.
It sits within the topics 10th-century Sanskrit literature, Non-fiction books about theatre and Theatre of India.
Its subject is documented across 7 Wikipedia language editions.
~3 min read
Encyclopedic overview
2 sectionsContents
- Ten ''Rupaka''s according to Dasharupakam
- References
Dasharupakam (Daśarūpakam) is a treatise on the structure and rules (Lakshana or Prakarana grantha) for popular theatre and drama presentations of the time, written by Dhananjaya in the 10th century. He was the court poet of Paramara king Munja. Several techniques and methods presented in the Natya Shastra and Dasharupakam are very much in use in today's theatre. The author starts with salutations, among others, to Bharata the author of Natya Shastra, whose detailed exposition he bases his work on. He however in his own words says that he has attempted to present the same in an ordered and concise fashion in his book, so it can be consumed by common folk. Rupakam means one that has a form and can be seen - essentially referring to theatre and drama performances. He uses the same word used by Bharata to refer to his work, and defines ten types of theatre performances - DashaRupakam - Ten Forms of Plays.
In the course of describing the forms of the plays, the author discusses, the subjects of Vastu(Plot), Netaa(the protagonist), and the Rasa (the emotive aspect) - which are essential to a play.
Excerpted from Wikipedia’s “Daśarūpa” article, available under the CC BY-SA 4.0 licence.