
File:Diane-Arbus-1949.jpg · Wikimedia Commons · See Wikimedia Commons
Diane Arbus
Sign in to saveAlso known as Diane nee Nemerov, Diane née Nemerov, Diane Nemerov Arbus
American photographer (1923–1971)
In the Vinony graph
Vinony's link graph records 296 inbound references to Diane Arbus, and connects out to Guggenheim Fellowship, Harvard Art Museums and The New York Times Magazine.
It sits within the topics 1923 births, 1971 deaths and 1971 suicides.
Vinony links it to 39 Wikipedia language editions.
Key facts
- Born
- Diane Nemerov , ( 1923-03-14 ) March 14, 1923, New York City, U.S.
- Died
- July 26, 1971 (1971-07-26) (aged 48), New York City, U.S.
- Occupation
- Photographer
- Spouse
- Allan Arbus ( married</span>"}]]}'>m. 1941 ; divorced</span>"}]]}'>div. 1969 )
- Partner
- Marvin Israel (1959–1971; her death)
- Children
- Doon Amy
- Relatives
- Howard Nemerov (brother) Alexander Nemerov (nephew) Frank Russek (grandfather)
via Wikipedia infobox
Wikidata facts
- Instance of
- human
- Given name
- Diane
- Gender
- female
- Citizenship
- United States
- Place of birth
- New York City
- Place of death
- New York City
- Spouse
- Allan Arbus
- Child
- Amy Arbus
- Sibling
- Howard Nemerov
- Languages spoken
- English language
- Participant in
- Documenta 6
- Field of work
- photography
- Genre
- portrait
- Work location
- New York City
- Residence
- Westbeth Artists Community
Show 9 more facts
- Commons category
- Diane Arbus
- date of birth
- 1923-03-14
- date of death
- 1971-07-26
- manner of death
- Suicide
- ethnic group
- Russians
- name in native language
- Diane Arbus
- work available at URL
- www.fembio.org/biographie.php/frau/feature/diane-arbus/beruehmte-fotografinnen
- birth name
- Diane Nemerov
- pseudonym
- Nemerov, Diane
Sources (12)
via Wikidata · CC0
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Encyclopedic overview
Diane Arbus (/diːˈæn ˈɑːrbəs/; née Nemerov; March 14, 1923 – July 26, 1971) was an American photographer. She photographed a wide range of subjects including strippers, carnival performers, nudists, people with dwarfism, children, mothers, couples, elderly people, and middle-class families. She photographed her subjects in familiar settings: their homes, on the street, in the workplace, in the park. "She is noted for expanding notions of acceptable subject matter and violates canons of the appropriate distance between photographer and subject. By befriending, not objectifying her subjects, she was able to capture in her work a rare psychological intensity."
In his 2003 New York Times Magazine article, "Arbus Reconsidered", Arthur Lubow states, "She was fascinated by people who were visibly creating their own identities—cross-dressers, nudists, sideshow performers, tattooed men, the nouveaux riches, the movie-star fans—and by those who were trapped in a uniform that no longer provided any security or comfort." Michael Kimmelman writes in his review of the exhibition Diane Arbus Revelations, that her work "transformed the art of photography (Arbus is everywhere, for better and worse, in the work of artists today who make photographs)".
Excerpted from Wikipedia’s “Diane Arbus” article, available under the CC BY-SA 4.0 licence.