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¡Dos!
Sign in to save¡Dos! (stylized in all caps) is the tenth studio album by the American rock band Green Day. The album was released on November 9, 2012, in Australia, November 12 in the United Kingdom and on November 13 in the United States through Reprise Records. It is the second installment in the ¡Uno! ¡Dos! ¡Tré! trilogy. Following its predecessor's power pop style, ¡Dos! was billed as Green Day's take on garage rock.
Listeners · Last.fm
- Listeners
- 1
- Total plays
- 1
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via Last.fm · ¡Dos!
Key facts
- Album.name
- ¡Dos!
- Album.type
- studio
- Album.artist
- Green Day
- Album.cover
- Green Day - Dos! cover.jpg
- Album.alt
- A black-and-white cutout of Mike Dirnt's head, his eyes crossed-out with pink X's, on a geometric, orange striped backdrop. The words "Green Day" are loudly splashed in blue across the top of the cover, while the word "¡Dos!" is sprawled graffiti-style in white in the lower left-hand corner.
- Album.recorded
- February 14 – June 26, 2012
- Album.studio
- Jingletown Recording, Oakland, California
- Album.label
- Reprise
- Album.prev_title
- ¡Uno!
- Album.prev_year
- 2012
- Album.next_title
- ¡Tré!
- Album.next_year
- 2012
via Wikipedia infobox
Wikidata facts
- Duration
- 2361
Show 3 more facts
- publication date
- 2012-11-13
- title
- ¡Dos!
- number of parts of this work
- 13
via Wikidata · CC0
~13 min read
Article
16 sectionsContents
- Theme and composition
- Release and promotion
- Artwork
- Singles
- Critical reception
- Commercial performance
- Track listing
- Personnel
- Charts
- Weekly charts
- Year-end charts
- Certifications and sales
- Release history
- References
- Notes
- External links
¡Dos! (stylized in all caps) is the tenth studio album by the American rock band Green Day. The album was released on November 9, 2012, in Australia, November 12 in the United Kingdom and on November 13 in the United States through Reprise Records. It is the second installment in the ¡Uno! ¡Dos! ¡Tré! trilogy. Following its predecessor's power pop style, ¡Dos! was billed as Green Day's take on garage rock.
The album accumulated the highest average reviews of all three trilogy albums, receiving generally positive reviews from music critics, who praised its dynamic style and catchy songs; others found its music dull and observed filler on the album. It debuted at number nine on the US Billboard 200, with first-week sales of 69,000 copies in the United States, a low for the band, becoming their first album since Nimrod (1997) not to sell 100,000 records in its first week.