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Feuersnot
Sign in to save'''''''' (Need for (or lack of) fire), Op. 50, is a Singgedicht'' (sung poem) or opera in one act by Richard Strauss. The German libretto was written by Ernst von Wolzogen, based on J. Ketel's report "Das erloschene Feuer zu Audenaerde". It was Strauss' second opera.
Key facts
- Opera.name
- Feuersnot
- Opera.composer
- Richard Strauss
- Opera.image
- Feuersnot.jpg
- Opera.image_upright
- 1.3
- Opera.caption
- Cover of a 1901 music score
- Opera.librettist
- Ernst von Wolzogen
- Opera.language
- German
- Opera.based_on
- J. Ketel's "Das erloschene Feuer zu Audenaerde"
- Opera.premiere_location
- Königliches Opernhaus, Dresden
via Wikipedia infobox
Wikidata facts
- Image
- Feuersnot.jpg
Show 5 more facts
- date of first performance
- 1901-11-21
- number of parts of this work
- 1
- title
- Feuersnot
- Commons category
- Feuersnot
- publication date
- 2000-00-00
Sources (2)
via Wikidata · CC0
~9 min read
Article
6 sectionsContents
- Performance history
- Roles
- Synopsis
- Recordings
- References
- External links
'''''''' (Need for (or lack of) fire), Op. 50, is a Singgedicht'' (sung poem) or opera in one act by Richard Strauss. The German libretto was written by Ernst von Wolzogen, based on J. Ketel's report "Das erloschene Feuer zu Audenaerde". It was Strauss' second opera.
Thematically, the opera has been interpreted as a parody of Richard Wagner's idea of "redemption through love", with the character of Kunrad representing Strauss himself. The conceptual framework for the opera stems from the Nietzschean perspective that had inspired Strauss in his tone poems Till Eulenspiegel and Also sprach Zarathustra. Strauss and von Wolzogen shared the view that the source of inspiration was material not transcendental: in Feuersnot it is "redemption through sex" which relights the creative fire.