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Hans Hofmann

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Also known as Hans Georg Albert Hofmann, Johann Georg Albert Hofmann, Johann Hofmann, Hans Hoffman, Hofmann

German-American painter (1880–1966)

Person · Open Library

Works
24

Top works

  • Geschichte und Politik
  • Die ausservertragliche haftung des staates und der körperschaften des öffentlichen rechts für pflichtverletzungen ihrer organe bei ausübung hoheitlicher gewalt und bei betätigung im privatrechtlichen kreise in der rechtsprechung des reichsgerichts und die möglichkeiten einer abgrenzung dieser beiden haftungsgebiete gegeneinander
  • 800 Jahre Pottenstetten
  • Gedichte, Reden, Sinnsprüche
  • Immortality or life

via Open Library + Wikidata

Music · MusicBrainz

Type
Person
Country
DE
Active from
1966-01-28

via MusicBrainz · CC0

Listeners · Last.fm

Listeners
7
Total plays
12

<a href="https://www.last.fm/music/Hans+Hofmann">Read more on Last.fm</a>

via Last.fm · Hans Hofmann

Quotes

  • Art is magic. So say the surrealists. But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic. To worship the product and ignore its development leads to dilettantism and reaction. Art cannot result from sophisticated, frivolous, or superficial effects.
  • This two-way transformation proceeds from metaphysical perceptions, for metaphysics is the search for the essential nature of reality. And so artistic creation is the metamorphosis of the external physical aspects of a thing into a self-sustaining spiritual reality. Such is the magic act which takes place continuously in the development of a work of art. On this and only on this is creation based.
  • Depth, in a pictorial, plastic sense, is not created by the arrangement of objects one after another toward a vanishing point, in the sense of the Renaissance perspective, but on the contrary (and in absolute denial of this doctrine) by the creation of forces in the sense of push and pull. Nor is depth created by tonal gradation (another doctrine of the academician which, at its culmination, degraded the use of color to a mere function of expressing dark and light).
  • Just as counterpoint and harmony follow their own laws, and differ in rhythm and movement, both formal tensions and color tensions have a development of their own in accordance with the inherent laws from which they are separately derived. Both, however, aim toward the realization of the same image. And both deal with the depth problem.
  • It is the greatest injustice done to Mondrian that people who are plastically blind see only decorative design instead of the plastic perfection which characterizes his work. The whole De Stijl group from which Mondrian's art was derived must be considered a protest against such blindness.
  • The physical carrier is overshadowed by a relation. The relation creates an overtone. The physical carrier is absorbed by this overtone. The overtone spontaneously transforms the means of creation into a spiritual reality. The mystery of creation is then revealed.

via Wikiquote · CC BY-SA

Works in European collections

17 objects attributed to Hans Hofmann, held across European museums, libraries & archives · via Europeana