
Key facts
- Opera.name
- Jérusalem
- Opera.genre_header
- Grand opera
- Opera.composer
- Giuseppe Verdi
- Opera.image
- Tancred of Hauteville. siege of Jerusalem.jpg
- Opera.caption
- "Tancred of Hauteville,the siege of Jerusalem"by Émile Signol
- Opera.language
- French
- Opera.based_on
- Verdi's I Lombardi alla prima crociata of 1843
via Wikipedia infobox
Wikidata facts
Show 5 more facts
- publication date
- 1850-00-00
- date of first performance
- 1847-11-26
- Commons category
- Jérusalem
- number of parts of this work
- 4
- title
- Jérusalem
Sources (1)
via Wikidata · CC0
~23 min read
Article
16 sectionsContents
- Composition history
- Verdi in Paris, July 1847 to July 1849
- Performance history
- Roles
- Synopsis
- Act 1
- Act 2
- Act 3
- Act 4
- Music
- Recordings
- References
- Citations
- Cited sources
- Other sources
- External links
Jérusalem is a grand opera in four acts by Giuseppe Verdi. The libretto was to be an adaptation and partial translation of the composer's original 1843 Italian opera, I Lombardi alla prima crociata. It was the one opera which he regarded as the most suitable for being translated into French and, taking Eugène Scribe's advice, Verdi agreed that a French libretto was to be prepared by Alphonse Royer and Gustave Vaëz, who had written the libretto for Donizetti's most successful French opera, La favorite. The opera received its premiere performance at the Salle Le Peletier in Paris on 26 November 1847. The maiden production was designed by Paul Lormier (costumes), Charles Séchan, Jules Diéterle and Édouard Desplechin (sets of Act I, Act II, scene 1, Act III scene 1, and Act IV), and Charles-Antoine Cambon and Joseph Thierry (sets for Act II, scene 2 and Act III, scene 2).
== Composition history == The director of the Paris Opéra, Léon Pillet, had invited Verdi to compose an opera for the company in November 1845 and February 1846, but initially Verdi declined. This was the composer's first encounter with the Académie Royale de Musique, as the Paris Opéra was officially known. Among 19th-century Italian composers, there had been an increasing interest in writing for Paris, where the combination of money, prestige, and flexibility of style were appealing. Musicologist Julian Budden provides examples of those composers who had crossed the Alps, the most well-known being Rossini and Donizetti (as well as Vincenzo Bellini who, before he died in 1835, was planning a French grand opera.)