File:Sir_John_Everett_Millais,_1st_Bt_by_Charles_Robert_Leslie.jpg · Wikimedia Commons · See Wikimedia Commons
John Everett Millais
Sign in to saveAlso known as Sir John Everett Millais, 1st Baronet, Sir John Everett Millais, John E. Millais, John Everett Millais (Sir), Sir John Everett Millais, Bt, J. Millais, sir john e. millais, J.E. Millais
British painter and illustrator (1829–1896)
OverviewAI-generated
John Everett Millais (1829–1896) was a British painter, illustrator, and photographer. Born in Southampton, he was educated at the Royal Academy of Arts and the Heatherley School of Fine Art. He held the noble title of baronet and served in the British Army. Millais was a member of the Royal Academy of Arts, the Académie des beaux-arts, and the Academy of Arts, Berlin.
His notable works include *Ophelia*, *Peace Concluded*, *A Huguenot*, and *The Black Brunswicker*. Other recorded works are *The Frozen Deep*, *The Millais gallery*, *Framley Parsonage (Annotated and Illustrated)*, *Sorrows of Young Werther (illustrated)*, and *Little Lily's picture book*. He was married to Effie Gray and had a son named John Guille Millais.
Millais died in London of laryngeal cancer. He is described in sources including the *Encyclopædia Britannica* 11th edition, *The Nuttall Encyclopædia*, and the Brockhaus and Efron Encyclopedic Dictionary.
Synthesized by Vinony from 33 facts across 6 sources: Wikidata, Crossref, Open Library, MusicBrainz, Europeana Sparql, Vinony graph. Generated from structured data (not the Wikipedia text) and checked against those facts — may still contain errors.
Key facts
- Born
- ( 1829-06-08 ) 8 June 1829, Southampton , Hampshire , England
- Died
- 13 August 1896 (1896-08-13) (aged 67), Kensington , London , England
- Education
- Royal Academy of Art
- Known for
- Painting, drawing, printmaking
- Notable work
- Ophelia ; Christ in the House of His Parents
- Movement
- Pre-Raphaelite Brotherhood
- Spouse
- Euphemia Gray ( married</span>"}]]}'>m. 1855 )
- Children
- 8, including John Guille Millais
via Wikipedia infobox
Wikidata facts
- Instance of
- human
- Gender
- male
- Citizenship
- United Kingdom
- Place of birth
- Southampton
- Place of death
- London
- Spouse
- Effie Gray
- Occupation
- artist
- Educated at
- Heatherley School of Fine Art
- Languages spoken
- English language
- Award
- baronet
- Notable work
- Ophelia
- Noble title
- baronet
- Field of work
- printmaking
- Genre
- religious art
- Movement
- Symbolism
- Military branch
- British Army
- Image
- Millais - Self-Portrait.jpg
- Work location
- Geneva
Show 19 more facts
- Commons category
- John Everett Millais
- date of birth
- 1829-06-08
- date of death
- 1896-08-13
- cause of death
- laryngeal cancer
- Commons Creator page
- John Everett Millais
- member of
- Academy of Arts, Berlin
- described by source
- Encyclopædia Britannica 11th edition
- manner of death
- natural causes
- Commons gallery
- John Everett Millais
- topic's main category
- Category:John Everett Millais
- place of burial
- St Paul's Cathedral
- name in native language
- John Everett Millais
- sponsor
- John Ruskin
- has works in the collection
- Hamburger Kunsthalle
- writing language
- English language
- different from
- Jean-François Millet
- P6944
- John Everett Millais
- topic has template
- Template:John Everett Millais
- P12749
- Friedrich Blühmel
via Wikidata · CC0
Works in European collections
10 objects attributed to John Everett Millais, held across European museums, libraries & archives · via Europeana
~18 min read
Encyclopedic overview
Sir John Everett Millais, 1st Baronet (/ˈmɪleɪ/ MIL-ay; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting Christ in the House of His Parents (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, Ophelia, in 1851–1852.
By the mid-1850s, Millais was moving away from the Pre-Raphaelite style to develop a new form of realism in his art. His later works were enormously successful, making Millais one of the wealthiest artists of his day, but some former admirers including William Morris saw this as a sell-out (Millais notoriously allowed one of his paintings to be used for a sentimental soap advertisement). While these and early 20th-century critics, reading art through the lens of Modernism, viewed much of his later production as wanting, this perspective has changed in recent decades, as his later works have come to be seen in the context of wider changes and advanced tendencies in the broader late nineteenth-century art world, and can now be seen as predictive of the art world of the present.
Excerpted from Wikipedia’s “John Everett Millais” article, available under the CC BY-SA 4.0 licence.