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John Everett Millais

File:Sir_John_Everett_Millais,_1st_Bt_by_Charles_Robert_Leslie.jpg · Wikimedia Commons · See Wikimedia Commons

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John Everett Millais

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Also known as Sir John Everett Millais, 1st Baronet, Sir John Everett Millais, John E. Millais, John Everett Millais (Sir), Sir John Everett Millais, Bt, J. Millais, sir john e. millais, J.E. Millais

British painter and illustrator (1829–1896)

OverviewAI-generated

John Everett Millais (1829–1896) was a British painter, illustrator, and photographer. Born in Southampton, he was educated at the Royal Academy of Arts and the Heatherley School of Fine Art. He held the noble title of baronet and served in the British Army. Millais was a member of the Royal Academy of Arts, the Académie des beaux-arts, and the Academy of Arts, Berlin.

His notable works include *Ophelia*, *Peace Concluded*, *A Huguenot*, and *The Black Brunswicker*. Other recorded works are *The Frozen Deep*, *The Millais gallery*, *Framley Parsonage (Annotated and Illustrated)*, *Sorrows of Young Werther (illustrated)*, and *Little Lily's picture book*. He was married to Effie Gray and had a son named John Guille Millais.

Millais died in London of laryngeal cancer. He is described in sources including the *Encyclopædia Britannica* 11th edition, *The Nuttall Encyclopædia*, and the Brockhaus and Efron Encyclopedic Dictionary.

Synthesized by Vinony from 33 facts across 6 sources: Wikidata, Crossref, Open Library, MusicBrainz, Europeana Sparql, Vinony graph. Generated from structured data (not the Wikipedia text) and checked against those facts — may still contain errors.

Key facts

Born
( 1829-06-08 ) 8 June 1829, Southampton , Hampshire , England
Died
13 August 1896 (1896-08-13) (aged 67), Kensington , London , England
Education
Royal Academy of Art
Known for
Painting, drawing, printmaking
Notable work
Ophelia ; Christ in the House of His Parents
Movement
Pre-Raphaelite Brotherhood
Spouse
Euphemia Gray ​ ( married</span>"}]]}'>m. 1855 ) ​
Children
8, including John Guille Millais

via Wikipedia infobox

Wikidata facts

Instance of
human
Gender
male
Citizenship
United Kingdom
Place of birth
Southampton
Place of death
London
Occupation
artist
Languages spoken
English language
Award
baronet
Notable work
Ophelia
Noble title
baronet
Field of work
printmaking
Movement
Symbolism
Military branch
British Army
Image
Millais - Self-Portrait.jpg
Work location
Geneva
Show 19 more facts
Commons category
John Everett Millais
date of birth
1829-06-08
date of death
1896-08-13
cause of death
laryngeal cancer
Commons Creator page
John Everett Millais
manner of death
natural causes
Commons gallery
John Everett Millais
topic's main category
Category:John Everett Millais
place of burial
St Paul's Cathedral
name in native language
John Everett Millais
has works in the collection
Hamburger Kunsthalle
writing language
English language
different from
Jean-François Millet
Sources (5)

via Wikidata · CC0

Works in European collections

10 objects attributed to John Everett Millais, held across European museums, libraries & archives · via Europeana

~18 min read

Encyclopedic overview

Sir John Everett Millais, 1st Baronet (/ˈmɪleɪ/ MIL-ay; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting Christ in the House of His Parents (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, Ophelia, in 1851–1852.

By the mid-1850s, Millais was moving away from the Pre-Raphaelite style to develop a new form of realism in his art. His later works were enormously successful, making Millais one of the wealthiest artists of his day, but some former admirers including William Morris saw this as a sell-out (Millais notoriously allowed one of his paintings to be used for a sentimental soap advertisement). While these and early 20th-century critics, reading art through the lens of Modernism, viewed much of his later production as wanting, this perspective has changed in recent decades, as his later works have come to be seen in the context of wider changes and advanced tendencies in the broader late nineteenth-century art world, and can now be seen as predictive of the art world of the present.

Excerpted from Wikipedia’s “John Everett Millais” article, available under the CC BY-SA 4.0 licence.

Gallery (12)