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klezmer

File:Tanz_des_Marschelik,_Spassmacher_(1902_postcard).png · Wikimedia Commons · See Wikimedia Commons

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Also known as klezmer music

Klezmer () is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions. The musical genre incorporated elements of many other musical genres including Ottoman (especially Greek and Romanian) music, Baroque music, German and Slavic folk dances, and religious Jewish music. As the music arrived in the United States, it lost some of its traditional ritual elements and adopte

Key facts

Music genre.name
Klezmer
Music genre.native_name
קלעזמער
Music genre.other_names
Jewish instrumental folk music, Freylekh music
Music genre.image
Tanz des Marschelik, Spassmacher (1902 postcard).png
Music genre.cultural_origins
Ashkenazic Jewish ceremonies, especially weddings, in Eastern Europe
Music genre.instruments
Standard orchestra instruments, accordion, cimbalom

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KLEZPO.png
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Commons category
Klezmer
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~35 min read

Article

28 sections
Contents
  • Etymology and usage
  • Musical elements
  • Style
  • Historical repertoire
  • Dances
  • Non-dance repertoire
  • Orchestration
  • Melodic modes
  • Western, Cantorial, and Ottoman music terminology
  • Description
  • History
  • Europe
  • Development of the genre
  • The Eastern European klezmer profession (1700–1930s)
  • Klezmer in the late Russian empire and Soviet era
  • United States
  • Early American klezmer (1880s–1910s)
  • Big band klezmer orchestras (1910s–1920s)
  • Celebrity clarinetists
  • Klezmer revival
  • Popular culture
  • In music
  • In visual art
  • In film
  • In literature
  • See also
  • References
  • External links

Klezmer () is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions. The musical genre incorporated elements of many other musical genres including Ottoman (especially Greek and Romanian) music, Baroque music, German and Slavic folk dances, and religious Jewish music. As the music arrived in the United States, it lost some of its traditional ritual elements and adopted elements of American big band and popular music. Among the European-born klezmers who popularized the genre in the United States in the 1910s and 1920s were Dave Tarras and Naftule Brandwein; they were followed by American-born musicians such as Max Epstein, Sid Beckerman and Ray Musiker.

After the destruction of Jewish life in Eastern Europe during the Holocaust, and a general fall in the popularity of klezmer music in the United States, the music began to be popularized again in the late 1970s in the so-called Klezmer Revival. During the 1980s and onwards, musicians experimented with traditional and experimental forms of the genre, releasing fusion albums combining the genre with jazz, punk, and other styles. By the 1980s and 1990s the American revival spread to Europe and inspired a new interest in the genre in places such as Germany, France, Poland and Russia. A parallel tradition has also continued in Israel with such figures as Moussa Berlin.

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