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Also known as The Theater Box

painting by Pierre-Auguste Renoir

Described at

La Loge (The Theatre Box) - Courtauld

Discover Pierre-Auguste Renoir's painting La Loge (The Theatre Box) at The Courtauld Gallery, based at Somerset House in central London.

courtauld.ac.uk

Pierre-Auguste Renoir showed La Loge (The Theatre Box) at the first Impressionist group exhibition in Paris in 1874. The painting was designed make an impact there. Its modern subject of a contemporary, fashionable-looking couple in a loge at one of Paris’s premiere theatres was unprecedented in painting. Renoir’s tightly cropped composition, giving the sense of a snapshot of modern life, was highly unconventional. In addition, his careful staging of the figures in stereotypically gendered roles – the woman having lowered her opera glasses to become the focus of attention, the man having raised his to look at someone else in the audience – creates an intriguing game of gazes, surely intended to provoke comment. Indeed, critics responded extensively to the painting. Some admired Renoir’s new subject matter and his painterly technique, praising his ‘qualities of observation and remarkable qualities of colour.’ However, several reviewers were troubled by the appearance of Renoir’s couple, especially the woman. They were concerned that she was not a respectably married member of fine society but rather a victim of fashion, overly dressed and excessively made-up, trying to push her way onto the social scene. Although new to painting in 1874, theatre box subjects were a familiar feature of French fashion magazines, where they provided a stage for illustrations of women modelling the latest evening wear. Loges were also often pictured in satirical journals as a setting to poke fun at their occupants’ social foibles or romantic liaisons. Renoir’s La Loge contains aspects of both contemporary fashion and satire, but his main concern was in demonstrating his dazzling painting technique. The scene was carefully arranged in the artist’s studio, with a model called Nini Lopez posing for the woman and Renoir’s brother, Edmond, the man, in order for Renoir to create a symphony in black and white. The bold stripes of the woman’s highly fashionable dress are a flamboyant counterpoint to the man’s similarly-coloured evening attire. His brushwork is delicate and fluent throughout. The virtuoso performance of works such as La Loge soon established Renoir as one of the leading Impressionist painters of his generation. This painting is on display in the Weston Gallery, Level 3 of The Courtauld Gallery. You can view this room from the comforts of your home through our virtual tour. Bring home your favourite pieces from The Courtauld’s collection with our exclusive custom prints to suit your space. Choose from art paper or canvas, in a range of sizes and frames, and we will make your print and deliver it directly to your door. Explore The Courtauld’s remarkable collection of paintings, prints and drawings, sculpture and decorative arts. Explore each floor of The Courtauld Gallery with our virtual tours. Zoom in to look closely at masterpieces from our remarkable collection, from individual brush strokes to the texture of the paint. Manet created a complex, absorbing composition and one of the iconic paintings of modern life.

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Wikidata facts

Image
La Loge de P.-A. Renoir (Fondation Vuitton, Paris) (46499625955).jpg
Height
80
Width
63.5
Show 6 more facts
catalog code
142
inception
1874-01-01
depicts Iconclass notation
48A7295
Commons category
La loge by Pierre-Auguste Renoir
inventory number
P.1948.SC.338
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