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EntityQ3835761· pop 13· linked from 170 articles

Also known as The Can-can

painting by Georges Seurat

Described at

The women and men in this painting are enthusiastically dancing the chahut, or cancan, a risqué dance for that period, whereby the women lift their skirts and wave their legs in the air. Despite the energetic subject , Le Chahut is not a fleeting scene from the Parisian nightlife, but a painstakingly deliberated painting. Seurat is fascinated by the effect of light and colour and purposefully seeks a systematic method by which to render this effect. He has captured the flamboyant dance in a strict system of countless minutely applied dots of paint, lines and colour combinations. The dancehall is bathed in warm colours and glowing artificial light. The dancers appear more archetypes than people of flesh and blood. They move in a rhythmic repetition. All the lines and movements in the painting are directed upwards to evoke the excited atmosphere of the dance and the music: the dancers’ legs, the conductor’s hand, the men’s moustaches, the corners of the ladies’ mouths and eyes, the neck of the double bass, even the flowers in the background. The women and men in this painting are enthusiastically dancing the chahut, or cancan, a risqué dance for that period, whereby the women lift their skirts and wave their legs in the air. Despite the energetic subject , Le Chahut is not a fleeting scene from the Parisian nightlife, but a painstakingly deliberated painting. Seurat is fascinated by the effect of light and colour and purposefully seeks a systematic method by which to render this effect. He has captured the flamboyant dance in a strict system of countless minutely applied dots of paint, lines and colour combinations. The dancehall is bathed in warm colours and glowing artificial light. The dancers appear more archetypes than people of flesh and blood. They move in a rhythmic repetition. All the lines and movements in the painting are directed upwards to evoke the excited atmosphere of the dance and the music: the dancers’ legs, the conductor’s hand, the men’s moustaches, the corners of the ladies’ mouths and eyes, the neck of the double bass, even the flowers in the background. Open Tuesday to Sunday and public holidays from 10.00-17.00 hrs. Closed on 1 January.

Excerpt from a page describing this subject · 4,337 chars · not written by Vinony

Wikidata facts

Instance of
painting
Depicts
dancer
Movement
pointillism
Material used
oil paint
Image
Georges Seurat, 1889-90, Le Chahut, Kröller-Müller Museum.jpg
Height
1700
Width
1410
Show 8 more facts
inventory number
KM 107.757
inception
1889-01-01
Commons category
Le Chahut
title
The Can-Can
copyright status
public domain
catalog code
PC 202
set in environment
cabaret
Sources (2)

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