Madí
Sign in to saveAlso known as Madi, Arte Madí
Madí (or MADI; also known as Grupo Madí or Arte Madí) is an international abstract (or concrete) art movement initiated in Buenos Aires in 1946 by the Hungarian-Argentinian artist and poet Gyula Kosice, and the Uruguayans Carmelo Arden Quin and Rhod Rothfuss.
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- inception
- 1944-00-00
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Article
15 sectionsContents
- Historical Context
- Origin of the name
- Characteristics
- The Madí Manifesto
- Madí Dictionary
- Selected Artists and Artworks
- Gyula Kosice
- Rhod Ruthfuss
- Diyi Laañ
- Others
- Exhibitions
- Why MADI?
- See also
- References
- External links
Madí (or MADI; also known as Grupo Madí or Arte Madí) is an international abstract (or concrete) art movement initiated in Buenos Aires in 1946 by the Hungarian-Argentinian artist and poet Gyula Kosice, and the Uruguayans Carmelo Arden Quin and Rhod Rothfuss.
The movement focuses on creating concrete art (i.e., non-representational geometric abstraction) and encompasses all branches of art (the plastic and pictorial arts, music, literature, theater, architecture, dance, etc.). The artists in the Madí movement consider the concrete, physical reality of the art medium and play with the traditional conventions of Western art (for instance, by creating works on irregularly-shaped canvases). Artwork of Madí movement appeared in eight issues of its magazine, Arte Madí Universal, published between 1947 and 1954.