Magdalene Odundo

Also known as Magdalene Anyango Odundo, Dame Magdalene Anyango Namakhiya Odundo

Kenyan-British artist (born 1950)

Top works

via Open Library + Wikidata

barber beatselectronicvaporwave

Discography

0h-index

Research areas

Visual artsArt historyArtComputer sciencePhilosophy

Most cited works

Ceramic Art2023 · 0 cit
Pots with Structure and Purpose:2023 · 0 cit
Intimate humanity: Ashley Howard reveals the language of drawing for Magdalene Odundo2011 · 0 cit
Clay forms Magdalene Odundo2001 · 0 cit
Photography and Copyright Credits2023 · 0 cit

via OpenAlex · CC0

5 total works indexed

via Crossref · CC0

“"I’ve always equated clay with the humanity that’s within us, fragile like our bodies. It can tip over. You have it on its toes, but if you push just slightly on the wrong pivot, it will break your heart."”
““There was something so soulless about it. For me, there wasn’t a justifiable rationale in advertising the merits of one soap against another.””
““The aim was to learn the skills I needed to go back to Kenya and maybe go into advertising, which was a growing business at the time.””
“"...of all making mediums, clay is the most versatile and pliable and naturally earthly, sympathetic and human."”

via Wikiquote · CC BY-SA

Instance of: human
Given name: Magdalene
Gender: female
Citizenship: Kenya
Place of birth: Nairobi
Occupation: ceramicist
Image: Thrown, Burnished, Reduction Fired pot by Magdalene Odundo (YORYM-2004.1.950).JPG