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Orientalism
Sign in to savethumb|300x300px|Jean-Léon Gérôme, [[The Snake Charmer, . Clark Art Institute.]] In art history, literature, and cultural studies, Orientalism is the imitation or depiction of aspects of the Eastern world (or "Orient") by writers, designers, and artists from the Western world. Orientalist painting, particularly of the Middle East, was one of the many specialties of 19th-century academic art, and Western literature was influenced by a similar interest in Oriental themes.
Orientalism refers to how Western artists, writers, and designers have depicted and imitated aspects of the Eastern world, particularly in 19th-century paintings of the Middle East and in literature. It matters because understanding these representations reveals how Western culture has shaped and expressed its fascination with—and often its ideas about—Eastern societies.
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Article
34 sectionsContents
- Background
- Etymology
- Art
- Oriental studies
- Critical studies
- Edward Said
- Islamic world
- In European architecture and design
- Orientalist art
- Pre-19th century
- French Orientalism
- British Orientalism
- American Orientalism
- Russian Orientalism
- German Orientalism
- Elsewhere
- Pop culture
- In music
- In literature
- In film
- In dance
- Religion
- Islam
- Eastern views of the West and Western views of the East
- Occidentalism
- Othering
- See also
- Notes
- References
- Sources
- Further reading
- Art
- Literature
- External links
thumb|300x300px|Jean-Léon Gérôme, [[The Snake Charmer, . Clark Art Institute.]] In art history, literature, and cultural studies, Orientalism is the imitation or depiction of aspects of the Eastern world (or "Orient") by writers, designers, and artists from the Western world. Orientalist painting, particularly of the Middle East, was one of the many specialties of 19th-century academic art, and Western literature was influenced by a similar interest in Oriental themes.
Since the publication of Edward Said's Orientalism in 1978, much academic discourse has begun to use the term 'Orientalism' to refer to a general patronizing Western attitude towards Middle Eastern, Asian, and North African societies. In Said's analysis, 'the West' essentializes these societies as static and undeveloped—thereby fabricating a view of Oriental culture that can be studied, depicted, and reproduced in the service of imperial power. Implicit in this fabrication, writes Said, is the idea that Western society is developed, rational, flexible, and superior. This allows 'Western imagination' to see 'Eastern' cultures and people as both alluring and a threat to Western civilization.