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Partenope
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Partenope (Parthenope), HWV 27, is an opera by George Frideric Handel, first performed at the King's Theatre in London on 24 February 1730. Although following the structure and forms of opera seria, the work is humorous in character and light-textured in music, with a plot involving romantic complications and gender confusion. A success with audiences at the time of its original production and then unperformed for many years, Partenope is now often seen on the world's opera stages.

Key facts

Opera.name
Partenope
Opera.composer
George Frideric Handel
Opera.image
Georg Friedrich Händel - Partenope - title page of the libretto - London 1730.png
Opera.caption
Title page of the libretto, London 1730
Opera.based_on
libretto by Silvio Stampiglia
Opera.premiere_location
King's Theatre, London

via Wikipedia infobox

Wikidata facts

Image
Georg Friedrich Händel - Partenope - title page of the libretto - London 1730.png
Show 5 more facts
date of first performance
1730-02-24
title
Partenope
number of parts of this work
3
Commons category
Partenope (Händel)
publication date
1800-00-00
Sources (1)

via Wikidata · CC0

~11 min read

Article

13 sections
Contents
  • Background
  • Performance history
  • Roles
  • Synopsis
  • Act 1
  • Act 2
  • Act 3
  • Musical features
  • Recordings
  • Audio recordings
  • Video recording
  • References
  • External links

Partenope (Parthenope), HWV 27, is an opera by George Frideric Handel, first performed at the King's Theatre in London on 24 February 1730. Although following the structure and forms of opera seria, the work is humorous in character and light-textured in music, with a plot involving romantic complications and gender confusion. A success with audiences at the time of its original production and then unperformed for many years, Partenope is now often seen on the world's opera stages.

==Background== The opera, which is in three acts, is composed to an Italian libretto adapted by an unknown hand from a libretto originally written in 1699 by Silvio Stampiglia. Stampiglia's libretto had received many previous settings, including one by Caldara which Handel may have seen in Venice around 1710.

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