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Pedro Américo

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Also known as Pedro Américo de Figueiredo de Melo, Pedro Américo De Figueiredo e Melo, Pedro Américo de Melo, Pedro Américo de Figueiredo e Melo, Pedro Américo de Figueiredo e Mello, Pedro Americo, Pedro Americo de Figueiredo de Melo, Pedro Americo De Figueiredo e Melo

Brazilian painter (1843-1905)

Key facts

Born
Pedro Américo de Figueiredo e Melo , ( 1843-04-29 ) 29 April 1843, Areia , Paraíba , Empire of Brazil
Died
7 October 1905 (1905-10-07) (aged 62), Florence , Tuscany , Kingdom of Italy
Known for
Painting

via Wikipedia infobox

Wikidata facts

Instance of
human
Given name
Pedro
Gender
male
Citizenship
Brazil
Place of birth
Areia
Place of death
Florence
Occupation
naturalist
Languages spoken
Portuguese
Native language
Portuguese
Image
Pedro Américo, ca, 1899.jpg
Work location
Brasília
Show 8 more facts
Commons category
Pedro Américo
date of birth
1843-04-29
date of death
1905-10-07
Commons Creator page
Pedro Américo
place of burial
Rio de Janeiro
name in native language
Pedro Américo de Figueiredo e Melo
has works in the collection
Pinacoteca de São Paulo
Sources (3)

via Wikidata · CC0

Works in European collections

1 object attributed to Pedro Américo, held across European museums, libraries & archives · via Europeana

~40 min read

Encyclopedic overview

Pedro Américo de Figueiredo e Melo (29 April 1843 – 7 October 1905) was a Brazilian novelist, poet, scientist, art theorist, essayist, philosopher, politician and professor, best remembered as one of the most important academic painters in Brazil. He showed an inclination towards the arts from a young age, being considered a child prodigy. Before the age of ten, he participated as a draftsman on an expedition of naturalists through the Brazilian northeast, and received government support to study at the Imperial Academy of Fine Arts. He furthered his artistic studies in Paris, but he also dedicated himself to science and philosophy. Soon after his return to Brazil, he began to teach at the academy and began a successful career, gaining prominence with great paintings of a civic and heroic character, inserting himself in the civilizing and modernizing program of the country fostered by emperor Pedro II, of which the Imperial Academy was the regulatory and executive arm in the artistic sphere.

His style in painting, in line with the great trends of his time, fused neoclassical, romantic and realistic elements, and his production is one of the first great expressions of Academicism in Brazil in its heyday, leaving works that remain alive in the collective imagination of the nation to this day, such as Batalha de Avaí, Fala do Trono, Independência ou Morte! and Tiradentes Esquartejado, reproduced in school books across the country. In the second half of his career, he concentrated on oriental, allegorical and biblical themes, which he personally preferred and whose market was expanding, but this part of his work, popular at the time, quickly went out of fashion, and did not receive much attention from specialists in recent times remaining little known.

Excerpted from Wikipedia’s “Pedro Américo” article, available under the CC BY-SA 4.0 licence.