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polyrhythm

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thumb|right|350px|Polyrhythm: Tuplet|Triplets over duplets in all four beats[[File:Polyrhythm.mid]] thumb|right|2:3 polyrhythm (cross rhythm) as bounce inside oval

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Polyrhythm
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~29 min read

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19 sections
Contents
  • In western art music
  • Hemiola
  • Polyrhythm, not polymeter
  • Composite hemiola
  • Cross-rhythm
  • Sub-Saharan African music traditions
  • Comparing European and Sub-Saharan African meter
  • The generating principle
  • Adaptive instruments
  • Jazz
  • 3:2 cross-rhythm
  • 2:3 cross-rhythm
  • In popular music
  • Examples
  • List of basic polyrhythms
  • See also
  • References
  • Further reading
  • External links

thumb|right|350px|Polyrhythm: Tuplet|Triplets over duplets in all four beats[[File:Polyrhythm.mid]] thumb|right|2:3 polyrhythm (cross rhythm) as bounce inside oval

Polyrhythm () is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic layers may be the basis of an entire piece of music (cross-rhythm), or a momentary section. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm. Concurrently in this context means within the same rhythmic cycle. The underlying pulse, whether explicit or implicit can be considered one of the concurrent rhythms. For example, the son clave is poly-rhythmic because its 3 section suggests a different meter from the pulse of the entire pattern.

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