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Ram Narayan
Sign in to saveAlso known as Pandit Ramnarayan
Indian classical sarangi player (1927–2024)
Ram Narayan was an acclaimed Indian classical musician who spent his career mastering and popularizing the sarangi, a stringed instrument traditionally used to accompany singers. He is considered a pioneering figure in elevating the sarangi from a supporting role to a solo instrument in Indian classical music during the 20th century.
AI-generated from the Wikipedia summary — may contain errors.
Person · Open Library
- Born
- 1927
- Works
- 3
Top works
- Eka sura merā, eka sāraṅgī kā
- Martyred But Not Tamed The Politics Of Resistance In The Middle East
- Eka sura mājhā, eka sāraṅgīcā
via Open Library + Wikidata
Music · MusicBrainz
- Type
- Person
- Gender
- Male
- Origin
- India
- Active from
- 1927-12-25
- Active to
- 2024-11-09
Discography
- Inde du Nord - Raga Bairagi-Bhairav - Raga Madhuvanti - Raga Kirvani
- Inde du Nord - Ragas du Matin et du Soir
- Live at Martin's
- Pandit Ram Narain - Sarangi1968
- Sarangi / The Voice of a Hundred Colors1969
- Raga Puria Kalyan1975
- Stil's Sunday Solo1984
- Ram Narayan en concert1984
- Rag Bhupal Tori, Rag Patdip1987
- Rāg Lalit1989
via MusicBrainz · CC0
Listeners · Last.fm
- Listeners
- 12,092
- Total plays
- 47,198
Tags
Ram Narayan (Hindi: राम नारायण; IAST: Rām Nārāyaṇ, IPA: [ˈraːm naːˈraːjn]; born 25 December 1927), often referred to by the title Pandit, is an Indian musician who popularized the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player. Narayan was born in Udaipur and learned to play the sarangi at an early age. He studied under sarangi players and singers and, as a teenager, worked as a music teacher and
Recent publications · Crossref
5 total works indexed
- Reproducible, interactive, scalable and extensible microbiome data science using QIIME 2
· 2019 · cited 20,048x
- Global burden of 369 diseases and injuries in 204 countries and territories, 1990–2019: a systematic analysis for the Global Burden of Disease Study 2019
· 2020 · cited 15,393x
- Global burden of bacterial antimicrobial resistance in 2019: a systematic analysis
· 2022 · cited 13,151x
- Global, regional, and national incidence, prevalence, and years lived with disability for 354 diseases and injuries for 195 countries and territories, 1990–2017: a systematic analysis for the Global Burden of Disease Study 2017
· 2018 · cited 10,814x
- Plastic waste inputs from land into the ocean
· 2015 · cited 10,752x
via Crossref · CC0
Quotes
- “The greatest blessing that one can get from music is that it makes an artist immensely satisfied with life irrespective of the financial condition in which they may be.”
- “By and large the present day Indian film music lacks soulful melody, sublime spirit and compelling charm of its lyrical intensity and has nothing Hindustani in it.”
- “My mission was to obliterate the blemish which the sarangi carried due to its social origins. I hope I have succeeded in this.”
- “At one time, sarangi exponents used to be called gurus and ustads because they were so learned that they could teach vocalists a thing or two. It wasn't surprising that many of them turned into vocalists and made a name for themselves independently.”
via Wikiquote · CC BY-SA
Wikidata facts
- Image
- Ram Narayan in Delhi 2010.jpg
Show 7 more facts
- Commons category
- Ram Narayan
- date of birth
- 1927-12-25
- Commons gallery
- Ram Narayan
- start of work period
- 1944-00-00
- date of death
- 2024-11-09
- end of work period
- 2013-00-00
- name in native language
- राम नारायण
Sources (7)
via Wikidata · CC0
~19 min read
Article
Ram Narayan ( IPA: [raːm naːˈɾaːjəɳ]; 25 December 1927 – 9 November 2024), often referred to with the title Pandit, was an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player.
Narayan was born near Udaipur and learned to play the sarangi at an early age. He studied under sarangi players and singers and, as a teenager, worked as a music teacher and travelling musician. All India Radio in Lahore hired Narayan as an accompanist for vocalists in 1944. Narayan relocated to Delhi following the partition of India in 1947, and moved to Mumbai in 1949 to work in Indian cinema.
Gallery (6)
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