Robert Bresson

French film director (1901–1999)

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Robert Bresson was a French film director (1901–1999) known for developing a distinctive cinematic style that influenced generations of filmmakers. His work matters because he pioneered innovative approaches to filmmaking that became foundational to modern cinema.

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5 total works indexed

Development of the Colle-Salvetti correlation-energy formula into a functional of the electron density
· 1988 · cited 94,969x
Hallmarks of Cancer: The Next Generation
· 2011 · cited 55,890x
Research electronic data capture (REDCap)—A metadata-driven methodology and workflow process for providing translational research informatics support
· 2009 · cited 45,566x
Regression Shrinkage and Selection Via the Lasso
· 1996 · cited 38,950x

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Article

Robert Bresson ( French: [ʁɔbɛʁ bʁɛsɔ̃]; 25 September 1901 – 18 December 1999) was a French filmmaker. Known for his ascetic approach, Bresson made a notable contribution to the art of cinema; his non-professional actors, ellipses, and sparse use of scoring have led his works to be regarded as preeminent examples of minimalist film. Much of his work is known for being tragic in story and nature.

Bresson is among the most highly regarded filmmakers of all time. He has the highest number of films (seven) that made the 2012 Sight and Sound critics' poll of the Greatest Films of All Time. His works A Man Escaped (1956), Pickpocket (1959) and Au hasard Balthazar (1966) were ranked among the top 100, and other films like Mouchette (1967) and L'Argent (1983) also received many votes. Jean-Luc Godard once wrote, "He is the French cinema, as Dostoevsky is the Russian novel and Mozart is German music."