Salutat
Sign in to saveAlso known as Dextra victrice: Conclamantes Salutat
Salutat is an 1898 painting by Thomas Eakins (1844–1916). Based on a real-life boxing match that occurred in 1898, the work depicts a boxer waving to the crowd after the match. According to Eakins' biographer Lloyd Goodrich, Salutat is "one of Eakins' finest achievements in figure-painting." The painting's title is Latin for "He greets" or "He salutes."
Wikidata facts
- Instance of
- painting
- Country
- United States
- Located in
- Andover
- Country of origin
- United States
- Depicts
- boxing
- Material used
- canvas
- Creator
- Thomas Eakins
- Collection
- Addison Gallery of American Art
- Location
- Addison Gallery of American Art
- Image
- Salutat.jpg
- Height
- 127
- Width
- 101.6
Show 6 more facts
- inventory number
- 1930.18
- described at URL
- accessaddison.andover.edu/Obj1024?sid=9612&x=61288
- inception
- 1898-01-01
- title
- Dextra victrice: Conclamantes Salutat
- exhibition history
- Whitney Museum of American Art
- copyright status
- public domain
via Wikidata · CC0
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Encyclopedic overview
8 sectionsContents
- Background
- Studies
- Composition
- Exhibition and provenance
- See also
- References
- Sources
- External links
Salutat is an 1898 painting by Thomas Eakins (1844–1916). Based on a real-life boxing match that occurred in 1898, the work depicts a boxer waving to the crowd after the match. According to Eakins' biographer Lloyd Goodrich, Salutat is "one of Eakins' finest achievements in figure-painting." The painting's title is Latin for "He greets" or "He salutes."
==Background== Much as he had with his paintings of rowers in the 1870s, during the late 1890s Eakins turned his interest again to the male nude, this time depicting prizefighters. Eakins attended fights in 1898, and aided by sportswriters Clarence Cranmer and Henry Walter Schlichter, met with and hired fighters to pose for him.
Excerpted from Wikipedia’s “Salutat” article, available under the CC BY-SA 4.0 licence.