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satire

File:Punch_Magazine,_27_April_1872.jpg · Wikimedia Commons · See Wikimedia Commons

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Satire
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satire
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~59 min read

Article

45 sections
Contents
  • Etymology and roots
  • Humour
  • Social and psychological functions
  • Classifications
  • Horatian, Juvenalian, Menippean
  • Horatian
  • Juvenalian
  • Menippean
  • Satire vis-à-vis teasing
  • Classifications by topics
  • Development
  • Ancient Egypt
  • Ancient Greece
  • Ancient China
  • Roman world
  • Medieval Islamic world
  • Medieval Europe
  • Early modern western satire
  • Ancient and modern India
  • Age of Enlightenment
  • Satire in Victorian England
  • 20th-century satire
  • Contemporary satire
  • Techniques
  • Legal status
  • Australia
  • Censorship and criticism
  • Typical arguments
  • Bad taste
  • Targeting the victim
  • Romantic prejudice
  • History of opposition toward notable satires
  • 1599 book ban
  • 21st-century polemics
  • Satirical prophecy
  • See also
  • Notes
  • References
  • Citations
  • Sources
  • Bibliography
  • Further reading
  • Theories/critical approaches to satire as a genre
  • The plot of satire
  • External links

thumb|1872 edition of Punch (magazine)|Punch, a ground-breaking British magazine of popular humour, including a great deal of satire of the contemporary, social, and political scene

Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposing or shaming the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. Satire may also poke fun at popular themes in art and film. A prominent feature of satire is strong irony or sarcasm—"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very things the satirist wishes to question.

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