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synth-pop

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Also known as synthesizer pop, synthpop

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Key facts

Music genre.name
Synth-pop
Music genre.other_names
Techno-pop
Music genre.cultural_origins
1977–1980 in Germany, Japan, and the United Kingdom
Music genre.current_year
no

via Wikipedia infobox

Wikidata facts

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inception
1972-00-00
Commons category
Synth-pop
native label
synthpop
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~35 min read

Article

14 sections
Contents
  • Characteristics
  • History
  • Precursors
  • Origins: New wave and post-punk (1977–1980)
  • Commercial success (1981–1985)
  • Declining popularity (1986–2000)
  • 21st-century revival (2000s–present)
  • Criticism and controversy
  • Influence and legacy
  • Artists
  • See also
  • References
  • Sources
  • External links

Synth-pop (short for synthesizer pop; also called techno-pop) is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s.

Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the band would be a major influence on early British synth-pop acts. The development of inexpensive polyphonic synthesizers, the definition of MIDI and the use of dance beats, led to a more commercial and accessible sound for synth-pop. Thus, its adoption by the style-conscious acts from the New Romantic movement, together with the rise of MTV, led to success for large numbers of British synth-pop acts in the US during the Second British Invasion.

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