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Tansen
EntityQ469894· pop 28· linked from 140 articles

Also known as Tan Sen, Ramutan, Mian Tansen, Miyan Tansen

Rāmtanu Panday ( – 26 April 1589), popularly referred to as Mian Tānsen (), or Sangeet Samrāt (), was a Hindustani classical musician. Born into a Hindu Gaur Brahmin family in Gwalior, he learnt and perfected his art in the northwest region of modern Madhya Pradesh. He got his first break as musician and composer in the court of Raja Man Singh Tomar of Gwalior and spent most of his adult life in the court and patronage of the Hindu king of Rewa, Raja Ramchandra Singh Baghel (r. 1555–1592), where Tānsen's musical abilities and studies gained widespread fame. This reputation brought him to

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  • India and China
  • Travelling Pasts : the Politics of Cultural Heritage in the Indian Ocean World
  • Beyond Pan-Asianism
  • Secrets of the Fallen Pagoda
  • Buddhism, Diplomacy, and Trade

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Music · MusicBrainz

Type
Person
Country
IN
Active from
1493
Active to
1589-04-26

via MusicBrainz · CC0

Listeners · Last.fm

Listeners
57
Total plays
206

Tags

IndianClassicalindiatraditional16th century

Tansen (c. 1500 – 1586), also referred to as Tan Sen or Mian Tansen, was a prominent figure of North Indian (Hindustani) classical music.[3] Born in a Hindu family, he learnt and perfected his art in the northwest region of modern Madhya Pradesh. He began his career and spent most of his adult life in the court and patronage of the Hindu king of Rewa State, Ram Chand, where Tansen's musical abilities and studies gained widespread fame.[3] This reputation brought him to the attention of the Mugha

via Last.fm · Tansen

Key facts

Musical artist.honorific_prefix
Mian
Musical artist.name
Tānsen
Musical artist.caption
Portrait of Mian Tansen,
Musical artist.image
Tansen of Gwalior. (11.8x6.7cm) Mughal. 1585-90. National Museum, New Delhi..jpg
Musical artist.image_upright
.80
Musical artist.background
non_vocal_instrumentalist
Musical artist.associated_acts
Swami Haridas
Musical artist.birth_name
Ramtanu Mukund Gaud
Musical artist.birth_place
Gwalior, Tomar Kingdom (modern day Madhya Pradesh, India)
Musical artist.death_date
26 April 1589 (aged 96)
Musical artist.death_place
Gwalior, Mughal Empire India
Musical artist.genre
Hindustani Classical Music
Musical artist.occupation
Musician, Instrumentalist, Vocalist, Music Studies
Musical artist.years_active
Till 1562: Raja Ramchandra Singh, Rewah After 1562: Emperor Akbar

via Wikipedia infobox

Wikidata facts

Image
Tansen of Gwalior. (11.8x6.7cm) Mughal. 1585-90. National Museum, New Delhi..jpg
Show 4 more facts
date of birth
1493-00-00
Commons category
Tansen
date of death
1589-04-26
start of work period
1562-00-00
Sources (2)

via Wikidata · CC0

~12 min read

Article

13 sections
Contents
  • Early life
  • Schooling
  • Compositions
  • Family
  • Death
  • Popular culture
  • Legacy
  • Tansen award
  • Buildings
  • Miracles and legends
  • Crater
  • References
  • External links

Rāmtanu Panday ( – 26 April 1589), popularly referred to as Mian Tānsen (), or Sangeet Samrāt (), was a Hindustani classical musician. Born into a Hindu Gaur Brahmin family in Gwalior, he learnt and perfected his art in the northwest region of modern Madhya Pradesh. He got his first break as musician and composer in the court of Raja Man Singh Tomar of Gwalior and spent most of his adult life in the court and patronage of the Hindu king of Rewa, Raja Ramchandra Singh Baghel (r. 1555–1592), where Tānsen's musical abilities and studies gained widespread fame. This reputation brought him to the attention of the Mughal Emperor Akbar. In 1562, at about the age of 60, Tānsen joined Akbar's court, and his performances became the subject of many court historians.

Numerous legends have been written about Tānsen, mixing facts and fiction, and the historicity of these stories is doubtful. Akbar considered him one of the Navaratnas Nine Ministers (the nine jewels) and gave him the title Mian, an honorific, meaning learned man.Tansen was a great composer musician and vocalist, to whom many compositions have been attributed in the northern regions of the Indian subcontinent. He was also an instrumentalist who popularized and improved musical instruments. He is among the most influential personalities in the North Indian tradition of Indian classical music, called Hindustani. His 16th-century studies in music and compositions inspired many, and he is considered by numerous North Indian gharana (regional music schools) to be their lineage founder.

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