File:Anton_Webern_in_Stettin,_October_1912.jpg · Wikimedia Commons · See Wikimedia Commons
Anton Webern
Sign in to saveAlso known as Webern, Anton Friedrich Wilhelm von Webern
Austrian composer and conductor
Anton Webern was an Austrian composer and conductor who lived in the 20th century. He is historically significant as a pioneering figure in modern classical music, known for developing innovative compositional techniques.
AI-generated from the Wikipedia summary — may contain errors.
Person · Open Library
- Born
- 1883
- Died
- 1945
- Works
- 108
Top works
- Anton von Webern's String quartet in A minor (ca. 1907), M. 121
- The path to the new music
- Lieder der Neuen Wiener Schule
- Fünf geistliche Lieder
- The complete music
via Open Library + Wikidata
Music · MusicBrainz
- Type
- Person
- Gender
- Male
- Country
- Austria
- Active from
- 1883
- Active to
- 1945
Discography
- Symphony, op. 211950
- The Complete Music Recorded Under the Direction of Robert Craft1957
- Complete Music for String Quartet1970
- Complete Works Op. 1 - Op. 311978
- Orchestral Music: op. 1 / op. 6 / op. 10 / op. 21 / op. 30 / Ricercata1980
- Webern: String Trio / Quartet Rondo / Piano Quintet / Schoenberg: Ode to Napoleon1986
- Orchesterstücke1987
- Lieder1988
- The Orchestral Pieces1992
- Webern: String Quartet 1905 / Slow Movement / Rondo for String Quartet / 5 Movements, op. 5 / Bagatelles, op. 9 / String Quartet, op. 28 / Gielen: Variations for String Quartet1992
via MusicBrainz · CC0
Listeners · Last.fm
- Listeners
- 133,998
- Total plays
- 1,566,750
Tags
Anton Webern (3 December 1883 – 15 September 1945) was an Austrian composer and conductor. He was a member of the Second Viennese School. As a student and significant follower of Arnold Schoenberg, he became one of the best-known exponents of the twelve-tone technique; in addition, his innovations regarding schematic organization of pitch, rhythm and dynamics were formative in the musical technique later known as total serialism. Webern was not a prolific composer; just thirty-one of his compos
Recent publications · Crossref
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via Crossref · CC0
Quotes
- “Music is natural law as related to the sense of hearing.”
- “Except for the violin pieces and a few of my orchestra pieces, all of my works from the Passacaglia on relate to the death of my mother.”
via Wikiquote · CC BY-SA
Wikidata facts
- Official website
- www.antonwebern.com
- Image
- Anton Webern (1883–1945) 1927 © Georg Fayer (1891–1950) OeNB 10450290.png
Show 9 more facts
- Commons category
- Anton Webern
- date of birth
- 1883-12-03
- date of death
- 1945-09-15
- Commons gallery
- Anton Webern
- start of work period
- 1908-00-00
- name in native language
- Anton Webern
- Commons Creator page
- Anton Webern
- birth name
- Anton Friedrich Wilhelm von Webern
- P12674
- sauerkraut
Sources (8)
via Wikidata · CC0
Works in European collections
10 objects attributed to Anton Webern, held across European museums, libraries & archives · via Europeana
~40 min read
Article
Anton Webern ( German: [ˈantoːn ˈveːbɐn] ; 3 December 1883 – 15 September 1945) was an Austrian composer, conductor, and musicologist whose modernist music was among the most radical of its milieu in its lyrical, poetic concision and use of then novel atonal and twelve-tone techniques. His approach was typically rigorous, inspired by his studies of the Franco-Flemish School under Guido Adler and by Arnold Schoenberg's emphasis on structure in teaching composition from the music of Johann Sebastian Bach, the First Viennese School, and Johannes Brahms. Webern, Schoenberg, and their colleague Alban Berg were at the core of what became known as the Second Viennese School.
Webern was arguably the first and certainly the last of the three to write music in an aphoristic and expressionist style, reflecting his instincts and the idiosyncrasy of his compositional process. Working from personal experience, he treated themes of love, nature, mysticism, and nostalgia. Unhappily peripatetic and often assigned light music or operetta in his early conducting career, he aspired to conduct what was seen as more respectable, serious music at home in Vienna. Following Schoenberg's guidance, Webern tried writing music of greater length during and after their World War I service, relying on the structural support of texts in many Lieder.