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Barbara Pentland

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Also known as Barbara Lally Pentland

Canadian composer (1912–2000)

Person · Open Library

Born
2 January 1912
Died
5 February 2000
Works
7

Top works

  • Barbara Pentland fonds
  • Fantasy, for piano
  • The lake [(an opera), orchestral, chamber, vocal and piano music
  • Music of now
  • Puppet-show [for] piano duet

via Open Library + Wikidata

Music · MusicBrainz

Type
Person
Gender
Female
Origin
Canada
Active from
1912
Active to
2000

via MusicBrainz · CC0

Listeners · Last.fm

Listeners
319
Total plays
1,070

Tags

Female ComposerCanadian20th Centurycomposercanada

Barbara Pentland (2 January 1912 – 5 February 2000) was one of the pre-eminent members of the generation of Canadian composers who came to artistic maturity in the years following World War Two. lots more on wikipedia http://en.wikipedia.org/wiki/Barbara_Pentland <a href="https://www.last.fm/music/Barbara+Pentland">Read more on Last.fm</a>

via Last.fm · Barbara Pentland

Described at

Barbara Pentland (1912-2000) | Barbara Pentland, C.M. - Tribute Website

Canadian Composer Barbara Pentland (1912-2000) Website by Dr. Rea Beaumont www.barbarapentland.com

barbarapentland.com

BIOGRAPHY Barbara Lally Pentland was born in Winnipeg, Manitoba, in 1912. She began to study piano at age nine. Three years later she expressed a desire to become a professional composer, even though only a handful of composers were writing in Canada at that time and none of them were women. Her parents hoped that she would focus on performance rather than composition, which they considered to be an inappropriate career choice for a woman. Pentland was accepted at the Juilliard Graduate School in New York City in 1936 on full fellowship. She was exposed to many styles of music during her time in New York City. In the early 1940s, Pentland taught theory and composition at the Royal Conservatory of Music in Toronto and attended the Tanglewood Music Center where she studied with Aaron Copland and Paul Hindemith. In 1949 Pentland became a faculty member in the music department at the University of British Columbia. The famed Canadian pianist Glenn Gould recorded her work Ombres (1964) — yet it was omitted from the album when it was released. The recording finally appeared on Sony’s re-release of the album 25 years later. The exclusion is symbolic of the composer’s ostracization that occurred throughout most of her career as she struggled to gain professional recognition. She found particular difficulty as a ‘woman’ composer writing contemporary music. Thank you to @SOCANFoundation for supporting this website and database. @SOCANFDN. BarbaraPentland

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