Devi sukta
Sign in to saveThe ''''', also called the '', is the 125th ' (hymn) occurring in the 10th mandala of the Rigveda|. It was composed by the female seer Vāc Āmbhṛṇī, daughter of the sage Ambhṛṇa. In the present day, the ' is popularly chanted during the worship of the ' (Universal Goddess in any form), in the daily rituals of temples, and also in various Vedic sacrificial ceremonies like ', etc. It is also chanted at the end of '. The hymn portrays the Feminine Divine as the supreme origin, creative energy, and ultimate deity. It conveys a profound, all-encompassing experience of the Self and highlights the anc
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Article
4 sectionsContents
- Sequential Index
- Significance
- Recitation
- References
The ''''', also called the '', is the 125th ' (hymn) occurring in the 10th mandala of the Rigveda|. It was composed by the female seer Vāc Āmbhṛṇī, daughter of the sage Ambhṛṇa. In the present day, the ' is popularly chanted during the worship of the ' (Universal Goddess in any form), in the daily rituals of temples, and also in various Vedic sacrificial ceremonies like ', etc. It is also chanted at the end of '. The hymn portrays the Feminine Divine as the supreme origin, creative energy, and ultimate deity. It conveys a profound, all-encompassing experience of the Self and highlights the ancient Vedic acknowledgment of women's enlightened consciousness. Furthermore, it introduces the notion of the Divine Feminine as an immanent creative force. The Vedic hymn is an important basis for Shaktism.
== Sequential Index ==