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Dramatism, a rhetorical theory, was developed by Kenneth Burke as a tool for analyzing human relationships through the use of language. Burke viewed dramatism from the lens of logology, which studies how people's ways of speaking shape their attitudes towards the world. According to this theory, the world is a stage where all the people present are actors and their actions parallel a drama. Burke then correlates dramatism with motivation, saying that people are "motivated" to behave in response to certain situations, similar to how actors in a play are motivated to behave or function. Burke di

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45 sections
Contents
  • Background and assumptions
  • Background
  • Influence of World War II
  • Drama as a metaphor
  • Assumptions
  • Key concepts
  • 1. Dramatistic Pentad
  • Pentad
  • From the pentad to the hexad
  • Pentad in action
  • Dramatistic ratios
  • 2. Identification
  • The chief notion of a "new rhetoric"
  • Generated when two people's substances overlap
  • Can be falsified to result in homophily
  • Reflects ambiguities of substance
  • 3. Guilt and redemption
  • Order or hierarchy
  • The negative
  • Victimage
  • Redemption
  • Emphasis on symbolic constitution
  • Major areas of application
  • 1. The dramaturgical self
  • 2. Motivation and drama
  • 3. Social relationships as dramas
  • 4. Organizational dramas
  • 5. Political dramas
  • In popular culture
  • Advertising
  • Communication and public relations
  • Culture
  • COVID-19
  • English
  • Healthcare, therapy, and social work
  • Politics
  • Popular art
  • Scientific research
  • Sociology
  • Critiques
  • Focus on criticism over composition
  • Feminist critiques
  • Ontological and literal or epistemological and metaphorical
  • Notes
  • References

Dramatism, a rhetorical theory, was developed by Kenneth Burke as a tool for analyzing human relationships through the use of language. Burke viewed dramatism from the lens of logology, which studies how people's ways of speaking shape their attitudes towards the world. According to this theory, the world is a stage where all the people present are actors and their actions parallel a drama. Burke then correlates dramatism with motivation, saying that people are "motivated" to behave in response to certain situations, similar to how actors in a play are motivated to behave or function. Burke discusses two important ideas – that life is drama, and the ultimate motive of rhetoric is the purging of guilt. Burke recognized guilt as the base of human emotions and motivations for action. As cited in "A Note on Burke on "Motive"", the author recognized the importance of "motive" in Burke's work. In "Kenneth Burke's concept of motives in rhetorical theory", the authors mentioned that Burke believes that guilt, "combined with other constructs, describes the totality of the compelling force within an event which explains why the event took place."

Dramatism consists of three broad concepts —the pentad, identification, and the guilt-purification-redemption cycle. The entry then considers five major areas in which scholars in a variety of fields apply dramatism: the dramaturgical self, motivation and drama, social relationships as dramas, organizational dramas, and political dramas.

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