Igor Grabar
Sign in to saveAlso known as Igor Emmanuilovich Grabar, Igor' Ėmmanuilovič Grabar, Igor' Grabar', Igor' Emmanuilovich Grabar', Igorʹ Grabarʹ, Igorʹ Ėmmanuilovich Grabarʹ, Jigor Emmanuilovitsch Grabar, Igor Emmanuelovich Grabar
Russian post-impressionist painter, publisher, restorer and historian of art (1871-1960)
Wikidata facts
- Instance of
- human
- Gender
- male
- Citizenship
- Russian Empire
- Place of birth
- Pest
- Place of death
- Moscow
- Sibling
- Vladimir Grabar
- Occupation
- architect
- Languages spoken
- Russian
- Genre
- portrait
- Image
- Грабарь Игорь Эммануилович.png
- Work location
- United States
Show 11 more facts
- place of burial
- Novodevichy Cemetery
- Commons category
- Igor Grabar
- date of birth
- 1871-03-25
- date of death
- 1960-05-16
- member of
- Russian Academy of Sciences
- start of work period
- 1891-01-01
- end of work period
- 1960-01-01
- has works in the collection
- Tretyakov Gallery
- name in native language
- Iгор Iмануϊлович Грабарь
- ethnic group
- Ukrainians
- Commons Creator page
- Igor Grabar
via Wikidata · CC0
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Encyclopedic overview
Portrait of Igor Grabar by Boris Kustodiev, 1916 Igor Emmanuilovich Grabar (Russian: И́горь Эммануи́лович Граба́рь, 25 March 1871 – 16 May 1960) was a Russian Post-Impressionist painter, publisher, restorer and historian of art. Grabar, descendant of a wealthy Rusyn family, was trained as a painter by Ilya Repin in Saint Petersburg and by Anton Ažbe in Munich. He reached his peak in painting in 1903–1907 and was notable for a peculiar divisionist painting technique bordering on pointillism and his rendition of snow.
By the end of 1890s, Grabar had established himself as an art critic. In 1902, he joined Mir Iskusstva, although his relations with its leaders Sergei Diaghilev and Mstislav Dobuzhinsky were far from friendly. In 1910–1915, Grabar edited and published his opus magnum, the History of Russian Art. The History employed the finest artists and critics of the period; Grabar personally wrote the issues on architecture that set an unsurpassed standard of understanding and presenting the subject. Concurrently, he wrote and published a series of books on contemporary and historic Russian painters. In 1913, he was appointed executive director of the Tretyakov Gallery and launched an ambitious reform program that continued until 1926. Grabar diversified the Tretyakov collection into modern art and in 1917 published its first comprehensive catalogue. In 1921 Grabar became the first professor of Art restoration at the Moscow State University.
Excerpted from Wikipedia’s “Igor Grabar” article, available under the CC BY-SA 4.0 licence.
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