File:Saint_Agnes._Mezzotint_by_J._Smith,_1716,_after_Sir_G._Knell_Wellcome_V0031505.jpg · Wikimedia Commons · See Wikimedia Commons
mezzotint technique
Sign in to saveAlso known as mezzotint, mezzotint printing, Mezzotint
thumb|Saint Agnes, mezzotint by John Smith (engraver)|John Smith after [[Godfrey Kneller, usually thought to be a portrait of Kneller's daughter, Catherine Voss]]
~15 min read
Encyclopedic overview
11 sectionsContents
- History
- Light to dark method
- Dark to light method
- Colour
- Printing
- Detailed technique
- Mezzotint engravers by date of birth
- Citations
- General and cited references
- Further reading
- External links
thumb|Saint Agnes, mezzotint by John Smith (engraver)|John Smith after [[Godfrey Kneller, usually thought to be a portrait of Kneller's daughter, Catherine Voss]]
Mezzotint is a monochrome printmaking process of the intaglio family. It was the first printing process that yielded half-tones without using line- or dot-based techniques like hatching, cross-hatching or stipple. Mezzotint achieves tonality by roughening a metal plate with thousands of little dots made by a metal tool with small teeth, called a "rocker". In printing, the tiny pits in the plate retain the ink when the face of the plate is wiped clean. This technique can achieve a high level of quality and richness in the print, and produce a furniture print which is large and bold enough to be framed and hung effectively in a room.
Excerpted from Wikipedia’s “mezzotint technique” article, available under the CC BY-SA 4.0 licence.