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mezzotint technique

File:Saint_Agnes._Mezzotint_by_J._Smith,_1716,_after_Sir_G._Knell_Wellcome_V0031505.jpg · Wikimedia Commons · See Wikimedia Commons

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mezzotint technique

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Also known as mezzotint, mezzotint printing, Mezzotint

thumb|Saint Agnes, mezzotint by John Smith (engraver)|John Smith after [[Godfrey Kneller, usually thought to be a portrait of Kneller's daughter, Catherine Voss]]

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Encyclopedic overview

11 sections
Contents
  • History
  • Light to dark method
  • Dark to light method
  • Colour
  • Printing
  • Detailed technique
  • Mezzotint engravers by date of birth
  • Citations
  • General and cited references
  • Further reading
  • External links

thumb|Saint Agnes, mezzotint by John Smith (engraver)|John Smith after [[Godfrey Kneller, usually thought to be a portrait of Kneller's daughter, Catherine Voss]]

Mezzotint is a monochrome printmaking process of the intaglio family. It was the first printing process that yielded half-tones without using line- or dot-based techniques like hatching, cross-hatching or stipple. Mezzotint achieves tonality by roughening a metal plate with thousands of little dots made by a metal tool with small teeth, called a "rocker". In printing, the tiny pits in the plate retain the ink when the face of the plate is wiped clean. This technique can achieve a high level of quality and richness in the print, and produce a furniture print which is large and bold enough to be framed and hung effectively in a room.

Excerpted from Wikipedia’s “mezzotint technique” article, available under the CC BY-SA 4.0 licence.

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