Mudéjar

thumb|14th century tower of the church of San Salvador in [[Teruel, Spain, an example of what is known as Mudéjar art]] Mudéjar were Muslims who remained in Iberia in the late medieval period following the Christian reconquest. It is also a term for Mudéjar art, which was greatly influenced by Islamic art, but produced typically by Christian craftsmen for Christian patrons. Mudéjar was used in contrast to both Muslims in Muslim-ruled areas (for example, Muslims of Granada before 1492) and Moriscos, who were often forcibly converted and may or may not have continued to secretly practice Islam. The corresponding term for Christians living under Muslim rule is Mozarabs.

Starting from the eleventh century, when larger regions previously under Muslim control fell to Christian kingdoms, treaties were established with the remaining Muslim population which defined their status as Mudejar. Their status, modelled after the dhimmi, established a parallel society with its own religious, legal, administrative and fiscal autonomy and institutions, while being subject to their Christian kings and lords. Soon after the fall of Granada in 1492, the policy towards Mudéjar changed and they were forced to either convert or emigrate.