Nihonga
Sign in to saveAlso known as Nihon-ga, Toyo-ga, Eastern Gouache, Asian gouache, Glue Color Painting, Tōyōga
thumb|170px|Enbu (炎舞, Dancing in the Flames) by Gyoshū Hayami, 1925, Important Cultural Property. [[Yamatane Museum.]] Nihonga () is a Japanese style of painting that typically uses mineral pigments, and occasionally ink, together with other organic pigments on silk or paper. The term was coined during the Meiji period (1868–1912) to differentiate it from its counterpart, known as Yōga (洋画) or Western-style painting. The term translates to "pictures in a Japanese style."
Wikidata facts
- Image
- Jo-no-mai by Uemura Shoen.jpg
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- inception
- 1860-00-00
- native label
- 日本画
- Commons category
- Nihonga
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via Wikidata · CC0
~9 min read
Article
8 sectionsContents
- History
- Development outside Japan
- Materials
- Techniques
- Gallery
- See also
- References
- External links
thumb|170px|Enbu (炎舞, Dancing in the Flames) by Gyoshū Hayami, 1925, Important Cultural Property. [[Yamatane Museum.]] Nihonga () is a Japanese style of painting that typically uses mineral pigments, and occasionally ink, together with other organic pigments on silk or paper. The term was coined during the Meiji period (1868–1912) to differentiate it from its counterpart, known as Yōga (洋画) or Western-style painting. The term translates to "pictures in a Japanese style."
In the narrow sense, it refers to paintings that were developed during the 77 years from the Meiji Restoration to the end of World War II based on traditional Japanese techniques and styles, such as calligraphy and hand-painted painting , rather than oil painting. In contrast, oil paintings were called Yōga.