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Peter Weiss

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Peter Weiss

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Also known as Peter Ulrich Weiss

Swedish-German playwright and author (1916–1982)

Person · Open Library

Born
8 November 1916
Died
10 May 1982
Works
126

Top works

  • Turandot oder Der Kongre der Weiwscher / Publikumsbeschimpfung / Helm / Genusien / Fulein Julie / Goldene Stdte / Der frhliche Weinberg (Spectaculum -
  • Gesang vom lusitanischen Popanz
  • Dem Unerreichbaren auf der Spur
  • Von Insel zu Insel
  • Avantgardefilm

via Open Library + Wikidata

Film & TV

Acting · Nowawes, Berlin, Germany

Peter Ulrich Weiss was a German writer, painter, graphic artist, and experimental filmmaker of adopted Swedish nationality. He is particularly known for his plays Marat/Sade and The Investigation and his novel "The Aesthetics of Resistance".

Known for

  • Das Jahrhundert des Theaters — Self (archive footage)2002
  • Strange Walks In and Through and Out1987
  • Memorandum — Himself - Playwright1967
  • The Flamboyant Sex — Madame's lover1961
  • Study III1953
  • Study II: Hallucinations1952
  • Study I Awakening1952

via TMDB

Listeners · Last.fm

Listeners
478
Total plays
6,092

Tags

pianoClassicalclassical pianoNachkriegsliteraturPeter Weiss

<a href="https://www.last.fm/music/Peter+Weiss">Read more on Last.fm</a>

via Last.fm · Peter Weiss

Quotes

  • I could buy myself paper, a pen, a pencil and a brush and could create pictures whenever and wherever I wanted. … That evening, in the spring of 1947, on the embankment of the Seine in Paris, at the age of thirty, I saw that it was possible to live and work in the world, and that I could participate in the exchange of ideas that was taking place all around, bound to no country.
  • In Dante the hero would rather flee and renounce the tempting embrace instead of yielding to his desires and enduring the attendant dangers.
  • Only in his poetry did he have the courage to love.
  • We've got rights the right to starveWe've got jobs waiting for workWe're all brothers lousy and dirtyWe're all free and equal to die like dogs
  • Charlotte Corday walked aloneParis birds sang sugar callsCharlotte walked down lanes of stonethrough the haze of perfume stallsCharlotte smelt the dead's gangreneHeard the singing guillotine
  • Don't soil your pretty little shoesThe gutter's deep and redClimb up climb up and ride along with methe tumbrel driver saidBut she never said a wordnever turned her headDon't soil your pretty little pantsI only go one wayClimb up climb up and ride along with meThere's no gold coach todayBut she never said a wordnever turned her head

via Wikiquote · CC BY-SA

Key facts

Born
Peter Ulrich Weiss , ( 1916-11-08 ) 8 November 1916, Nowawes , Brandenburg, Germany
Died
10 May 1982 (1982-05-10) (aged 65), Stockholm , Sweden
Citizenship
Swedish
Alma mater
Polytechnic School of Photography ; Academy of Fine Arts, Prague
Works
Marat/Sade ; The Aesthetics of Resistance
Movement
Avant-garde
Spouses
Helga Henschen (1943) Carlota Dethorey (1949) Gunilla Palmstierna (1964)

via Wikipedia infobox

Wikidata facts

Image
Peter Weiss 1982.jpg
Show 9 more facts
Commons category
Peter Weiss
date of birth
1916-11-08
date of death
1982-05-10
Commons gallery
Peter Weiss
date of burial or cremation
1982-05-24
start of work period
1947-00-00
name in native language
Peter Ulrich Weiss
end of work period
1982-01-01
Sources (15)

via Wikidata · CC0

~18 min read

Article

Peter Ulrich Weiss (8 November 1916 – 10 May 1982) was a German writer, painter, graphic artist, and experimental filmmaker of adopted Swedish nationality. He is particularly known for his plays Marat/Sade and The Investigation and his novel The Aesthetics of Resistance.

Peter Weiss earned his reputation in the post-war German literary world as the proponent of an avant-garde, meticulously descriptive writing, as an exponent of autobiographical prose, and also as a politically engaged dramatist. He gained international success with Marat/Sade, the American production of which was awarded a Tony Award and its subsequent film adaptation directed by Peter Brook. His "Auschwitz Oratorium" The Investigation, served to broaden the debates over the so-called "Aufarbeitung der Vergangenheit" (or formerly) "Vergangenheitsbewältigung" or "politics of history". Weiss's magnum opus was The Aesthetics of Resistance, called one of the "most important German-language work[s] of the 70s and 80s." His early, surrealist-inspired work as a painter and experimental filmmaker remains less well known.

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