File:Rashomon_poster.jpg · Wikimedia Commons · See Wikimedia Commons
Rashomon
Sign in to saveAlso known as Rashōmon
is a 1950 Japanese period drama (jidaigeki) film directed by Akira Kurosawa from a screenplay he co-wrote with Shinobu Hashimoto. Starring Toshiro Mifune, Machiko Kyō, Masayuki Mori, and Takashi Shimura, it follows various people who describe how a samurai was murdered in a forest. The plot and characters are based upon Ryūnosuke Akutagawa's short story "In a Grove", with the title and framing story taken from Akutagawa's "Rashōmon". Every element is largely identical, from the murdered samurai speaking through a Shinto psychic to the bandit in the forest, the monk, the assault of the wife, an
"Rashomon" is a 1950 Japanese film directed by Akira Kurosawa that tells the story of a samurai's murder in a forest through conflicting accounts given by different witnesses and suspects. The film matters because it pioneered a narrative structure that presents multiple, contradictory perspectives on the same event, fundamentally challenging how stories can be told and raising questions about the nature of truth itself.
AI-generated from the Wikipedia summary — may contain errors.
Film · TMDB
8.0Four people recount different versions of the story of a man's murder and the rape of his wife.
Cast
- Toshirō Mifune as Tajômaru
- Machiko Kyō as Masako
- Takashi Shimura as Woodcutter
- Masayuki Mori as Takehiro
- Minoru Chiaki as Priest
- Kichijirō Ueda as Commoner
Themes
- dying and death
- japan
- samurai
- rape
- court case
- court
- truth
- rain
- woodcutter
- subjectivity
This product uses the TMDB API but is not endorsed or certified by TMDB.
Key facts
- Film.name
- Rashomon
- Film.image
- Rashomon poster.jpg
- Film.caption
- Theatrical release poster
- Film.director
- Akira Kurosawa
- Film.producer
- Jingo Minoura
- Film.music
- Fumio Hayasaka
- Film.cinematography
- Kazuo Miyagawa
- Film.editing
- Shigeo Nishida
- Film.studio
- Daiei Film
- Film.distributor
- Daiei
- Film.runtime
- 88 minutes
- Film.country
- Japan
- Film.language
- Japanese
- Film.budget
- ($41-55K at the 1950 exchange rate)
via Wikipedia infobox
Wikidata facts
- Duration
- 88
- FilmAffinity ID
- 164638
- Image
- Rashomon poster.jpg
Show 6 more facts
- Commons category
- Rashomon
- publication date
- 1952-04-18
- title
- 羅生門
- name in kana
- らしょうもん
- review score
- 4.2/5
- capital cost
- 140000
Sources (15)
via Wikidata · CC0
~38 min read
Article
33 sectionsContents
- Plot
- Cast
- Production
- Development
- Writing
- Casting
- Filming
- Lighting
- Post-production
- Allegorical and symbolic content
- Release
- Box office
- Venice Film Festival screening
- Home media
- Reception
- Critical response
- Japanese reviews
- International reviews
- ''Boléro'' controversy
- Masaichi Nagata's response
- Accolades
- Legacy
- Associated films
- Cultural impact
- Remakes and adaptations
- Retrospective reassessment
- Top lists
- Preservation
- See also
- Notes
- References
- Bibliography
- External links
is a 1950 Japanese period drama (jidaigeki) film directed by Akira Kurosawa from a screenplay he co-wrote with Shinobu Hashimoto. Starring Toshiro Mifune, Machiko Kyō, Masayuki Mori, and Takashi Shimura, it follows various people who describe how a samurai was murdered in a forest. The plot and characters are based upon Ryūnosuke Akutagawa's short story "In a Grove", with the title and framing story taken from Akutagawa's "Rashōmon". Every element is largely identical, from the murdered samurai speaking through a Shinto psychic to the bandit in the forest, the monk, the assault of the wife, and the dishonest retelling of the events in which everyone shows their ideal self by lying.
Production began in 1948 at Kurosawa's regular production firm Toho but was canceled as it was viewed as a financial risk. Two years later, Sōjirō Motoki pitched Rashomon to Daiei Film upon the completion of Kurosawa's Scandal. Daiei initially turned it down but eventually agreed to produce and distribute the film. Principal photography lasted from July 7 to August 17, 1950, taking place primarily in Kyoto on an estimated budget. When creating the film's visual style, Kurosawa and cinematographer Kazuo Miyagawa experimented with various methods such as pointing the camera at the sun, which was considered taboo. Post-production took only one week and was decelerated by two fires.