
serialism
Sign in to saveAlso known as serialist music, serial music
thumb|upright=1.5|Six-element set (music)|row of rhythmic values used in Variazioni canoniche by [[Luigi Nono.]]
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- Commons category
- Serialism
- inception
- 1923-00-00
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~31 min read
Article
14 sectionsContents
- Basic definitions
- Twelve-tone serialism
- Non-twelve-tone serialism
- History of serial music
- Before World War II
- After World War II
- Reactions to serialism
- Theory of twelve-tone serial music
- Notable composers
- See also
- References
- Sources
- Further reading
- External links
thumb|upright=1.5|Six-element set (music)|row of rhythmic values used in Variazioni canoniche by [[Luigi Nono.]]
In music, serialism is a method of composition using series of pitches, rhythms, dynamics, timbres or other musical elements. Serialism began primarily with Arnold Schoenberg's twelve-tone technique, though some of his contemporaries were also working to establish serialism as a form of post-tonal thinking. Twelve-tone technique orders the twelve notes of the chromatic scale, forming a row or series and providing a unifying basis for a composition's melody, harmony, structural progressions, and variations. Other types of serialism also work with sets, collections of objects, but not necessarily with fixed-order series, and extend the technique to other musical dimensions (often called "parameters"), such as duration, dynamics, and timbre.