File:Pierre_Boulez_(1968).jpg · Wikimedia Commons · See Wikimedia Commons
Pierre Boulez
Sign in to saveFrench composer, conductor and writer (1925–2016)
Pierre Boulez was a French composer, conductor, and writer who lived from 1925 to 2016 and became one of the most influential figures in twentieth-century classical music. He matters because he shaped how modern music is created and performed, and his work as both a composer and conductor left a lasting impact on the classical music world.
AI-generated from the Wikipedia summary — may contain errors.
Person · Open Library
- Born
- 1925
- Works
- 90
Top works
- Entretiens avec Pierre Boulez
- Boulez on music today
- Penser la musique aujourd'hui
- Pierre Boulez in Bayreuth: 1966 - 1968, 1970, 1976 - 1980, 2004 - 2005; Essays, Gespr ache, Dokumente
- Werkstatt-Texte
via Open Library + Wikidata
Music · MusicBrainz
- Type
- Person
- Gender
- Male
- Origin
- France
- Active from
- 1925-03-26
- Active to
- 2016-01-05
Discography
- Pierrot lunaire1962
- Le Marteau sans maître1964
- Schoenberg: Transfigured Night / Eloy: Equivalences / Schoenberg, Eloy / Pousseur: Madrigal III1967
- The New Music, Volume 21968
- Boulez Conducts Debussy, Vol. 2 (Images Pour Orchestre / Danses, Sacree Et Profane)1969
- Le Sacre du Printemps1969
- Beethoven: Symphony No. 5 in C Minor, Op. 67 & Meeresstille und glückliche Fahrt, Op. 112 - Mahler: Symphony No. 101970
- Boulez Conducts Beethoven: Symphony No. 5 / Calm Sea And Prosperous Voyage1970
- Pelléas et Mélisande1970
- Boulez dirigiert Mahler: Das Klagende Lied (Erste Gesamtaufnahme) / Adagio aus der Sinfonie Nr. 101971
via MusicBrainz · CC0
Listeners · Last.fm
- Listeners
- 74,582
- Total plays
- 755,633
Tags
Pierre Boulez (26 March 1925 – 5 January 2016) was a French composer, conductor, prolific writer, and pianist. He was also the founder and former director of the Paris based Institut de Recherche et Coordination Acoustique/Musique (IRCAM). In his early career, Boulez played a key role in the development of integral serialism, controlled chance and electronic music. This, coupled with his highly polemical views on the evolution of music, gained him the image of an enfant terrible. <a href="https
Recent publications · Crossref
5 total works indexed
- Going deeper with convolutions
· 2015 · cited 32,877x
- Classification of Surgical Complications
· 2004 · cited 28,241x
- Array programming with NumPy
· 2020 · cited 23,475x
- Outline of a Theory of Practice
· 1977 · cited 19,108x
- Testing for a unit root in time series regression
· 1988 · cited 12,664x
via Crossref · CC0
Quotes
- “[A]ny musician who has not experienced - I do not say understood, but truly experienced - the necessity of dodecaphonic music is USELESS. For his whole work is irrelevant to the needs of his epoch.”
- “Creation exists only in the unforeseen made necessary.”
via Wikiquote · CC BY-SA
Works in European collections
1 object attributed to Pierre Boulez, held across European museums, libraries & archives · via Europeana
~40 min read
Encyclopedic overview
Boulez in 1968 Pierre Louis Joseph Boulez ( French: [pjɛʁ lwi ʒozεf bulɛz]; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war contemporary classical music.
Born in Montbrison, in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism in the 1950s, controlled chance music in the 1960s and the electronic transformation of instrumental music in real time from the 1970s onwards. His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces considered landmarks of twentieth-century music, such as Le Marteau sans maître, Pli selon pli and Répons. His uncompromising commitment to modernism and the trenchant, polemical tone in which he expressed his views on music led some to criticise him as a dogmatist.
Excerpted from Wikipedia’s “Pierre Boulez” article, available under the CC BY-SA 4.0 licence.