Wilson Harris

Person · Open Library

Born

1921

Died

2018

Works

77

via Open Library + Wikidata

Music · MusicBrainz

Type

Person

Gender

Female

Origin

United States

Active from

1947-04-02

via MusicBrainz · CC0

Listeners · Last.fm

Listeners

3

Total plays

212

<a href="https://www.last.fm/music/Wilson+Harris">Read more on Last.fm</a>

via Last.fm · Wilson Harris

Recent publications · Crossref

5 total works indexed

1. The PRISMA 2020 statement: an updated guideline for reporting systematic reviews

   · 2021 · cited 85,293x

2. Research electronic data capture (REDCap)—A metadata-driven methodology and workflow process for providing translational research informatics support

   · 2009 · cited 46,854x

3. Gene Ontology: tool for the unification of biology

   · 2000 · cited 36,923x

4. SciPy 1.0: fundamental algorithms for scientific computing in Python

   · 2020 · cited 36,569x

5. PRISMA Extension for Scoping Reviews (PRISMA-ScR): Checklist and Explanation

   · 2018 · cited 36,326x

via Crossref · CC0

Quotes

• “(Breaking) ritual habit, ritual normality that seals our eyes and ears…you can advance, see things you never saw before, move out of boundaries that have been a prison.”
• “The solid morning mist began to disintegrate and dark shoulders of rock appeared in the water giving the illusion of swimmers, reaching from bank to bank, dispersing from themselves wreaths of snakes with imperceptible strokes.”
• “The flute sings of an ancient riverbead one hundred fathoms deep, far below the Potaro River that runs to the Waterfall. Two rivers then. The visible Potaro runs to the Waterfall. The invisible stream of the river of the dead runs far below, far under our knees. The flute tells of the passage of the drowned river of the dead and the river of the living are one quantum stream possessed of four banks.”
• “Once cannot tame the voices of the flute, voices of such uncanny lightness yet miracle of being that they are able to tilt the two rivers, the visible and the invisible rivers, into diagrammatic discourse; and in so doing to create the four banks of the river of space into a ladder upon which the curved music of the flute ascends. Those banks are dislodged upwards into rungs in the ladder and into stepping stones into original space.”
• “There is no economic solution to the ills of the world until the arts of originality […] open the partialities and biases of tradition in ways that address the very core of our pre-possessions.”
• “Cross-culturality differs radically from multiculturality. There is no creative and re-creative sharing of dimensions in multiculturality.”

via Wikiquote · CC BY-SA