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acceptera (1931) is a Swedish modern architecture manifesto written by architects Gunnar Asplund, Wolter Gahn, Sven Markelius, Eskil Sundahl, Uno Åhrén, and art historian Gregor Paulsson. Claiming that Swedish “building-art” (byggnadskonst) has failed to keep pace with the revolutionary social and technological change sweeping Europe in the early 20th century, the authors argue that the production of housing and consumer goods must embrace a functionalist orientation in order to meet the particular cultural and material needs of both modern society and the modern individual. Combining social a

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Acceptera 1931b.jpg
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publication date
1931-00-00
page(s)
200
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Article

14 sections
Contents
  • Historical Context and Authorship
  • Structure and Style
  • Key Ideas
  • Dualities of Modernity
  • Objectivity and Aesthetic Values
  • A-Europe and B-Europe
  • Utility, Function, Style
  • Standardization and Industrial Production
  • Accepting the times
  • Reception and legacy
  • Editions
  • See also
  • Notes
  • External links

acceptera (1931) is a Swedish modern architecture manifesto written by architects Gunnar Asplund, Wolter Gahn, Sven Markelius, Eskil Sundahl, Uno Åhrén, and art historian Gregor Paulsson. Claiming that Swedish “building-art” (byggnadskonst) has failed to keep pace with the revolutionary social and technological change sweeping Europe in the early 20th century, the authors argue that the production of housing and consumer goods must embrace a functionalist orientation in order to meet the particular cultural and material needs of both modern society and the modern individual. Combining social analysis with an iconoclastic critique of contemporary architecture and handicraft, acceptera ardently calls upon its readers not to shrink back from modernity, but rather to “accept the reality that exists—only in that way have we any prospect of mastering it, taking it in hand, and altering it to create a culture that offers an adaptable tool for life.”

The manifesto was written in connection with, and published shortly after, the 1930 Stockholm Exhibition. The exhibition, which was directed in part by Asplund and featured contributions by each of the authors, offered a variety of structures representative of the functionalist and International styles. It took as its slogan the phrase Acceptera!—translatable into English as either the imperative “accept!” or the infinitive “to accept!”

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