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Aeschylus
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Aeschylus (, ; ; /524 – /455 BC) was an ancient Greek tragedian often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.
Aeschylus was an ancient Greek playwright (524–455 BC) credited as the founder of tragedy, whose surviving works form the foundation for all scholarly understanding of the genre. He revolutionized Greek theater by increasing the number of characters on stage and enabling them to interact with each other, rather than only with the chorus as had been done before.
AI-generated from the Wikipedia summary — may contain errors.
Person · Open Library
- Born
- c. 525 BC
- Died
- c. 456 BC
- Works
- 1032
Top works
- Prometheus Bound (SparkNotes Literature Guide)
- Agamemnon (SparkNotes Literature Guide)
- Libation Bearers (SparkNotes Literature Guide)
- Prometheus Bound. The Suppliants. Seven Against Thebes. The Persians. Translated with an introduction by Philip Vellacott (Penguin Classics. no. L112.)
- The Oresteian Trilogy. (Agamemnon; The Choephori; The Eumenides)
via Open Library + Wikidata
Film & TV
Writing · Eleusis, Greece
Aeschylus (Ancient Greek: Αἰσχύλος c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict…
via TMDB
Listeners · Last.fm
- Listeners
- 115
- Total plays
- 1,075
Tags
Similar artists
Aeschylus (pronounced /ˈɛskɨləs/ or /ˈiːskɨləs/, Greek: Αἰσχύλος, Aiskhulos, c. 525 BC/524 BC – c. 456 BC/455 BC) was an ancient Greek playwright. He is often recognized as the father of tragedy, and is the earliest of the three Greek tragedians whose plays survive, the others being Sophocles and Euripides. According to Aristotle, he expanded the number of characters in plays to allow for conflict among them; previously, characters interacted only with the chorus. <a href="https://www.last.fm/music/Aeschylus">Read more on Last.fm</a>
Recent publications · Crossref
5 total works indexed
- Agamemnon
· 1950 · cited 26x
- Oresteia. Libation-Bearers
· 2009 · cited 11x
- Oxford Classical Texts: Aeschyli: Septem Quae Supersunt Tragoedias
· 1972 · cited 10x
- Aeschylus: Persae
· 2009 · cited 9x
- Seven against Thebes
· 2009 · cited 9x
via Crossref · CC0
Quotes
- “Ἔστι γὰρ πλοῦτός γ᾽ ἀμεμφής, ἀμφὶ δ᾽ ὀφθαλμῷ φόβος·ὄμμα γὰρ δόμων νομίζω δεσπότου παρουσίαν.”
- “Ὤμοι, κακὸν μὲν πρῶτον ἀγγέλλειν κακά.”
- “Ἀνδρῶν γὰρ ὄντων ἕρκος ἐστὶν ἀσφαλές.”
- “Φίλοι, κακῶν μὲν ὅστις ἔμπειρος κυρεῖ,ἐπίσταται βροτοῖσιν ὡς, ὅταν κλύδωνκακῶν ἐπέλθῃ, πάντα δειμαίνειν φίλον,ὅταν δ᾽ ὁ δαίμων εὐροῇ, πεποιθέναιτὸν αὐτὸν αἰὲν ἄνεμον οὐριεῖν τύχας.”
- “Ἀλλ᾽, ὅταν σπεύδῃ τις αὐτός, χὠ θεὸς συνάπτεται.”
- “θῖνες νεκρῶν δὲ καὶ τριτοσπόρῳ γονῇἄφωνα σημανοῦσιν ὄμμασιν βροτῶνὡς οὐχ ὑπέρφευ θνητὸν ὄντα χρὴ φρονεῖν.”
via Wikiquote · CC BY-SA
Key facts
- Person.name
- Aeschylus
- Person.image
- Herma of Aeschylus, Klas08.jpg
- Person.caption
- Roman marble herma of Aeschylus dating to 30 BC, based on an earlier bronze Greek herma, dating to around 340-320 BC
- Person.native_name_lang
- Greek
- Person.birth_date
- /524 BC
- Person.birth_place
- Eleusis
- Person.death_date
- (aged approximately 67)
- Person.death_place
- Gela, Sicily
- Person.occupation
- Playwright and soldier
- Person.parents
- Euphorion (father)
via Wikipedia infobox
Wikidata facts
- Image
- Aeschylusathens.jpg
Show 9 more facts
- Commons category
- Aeschylus
- date of birth
- 0525-00-00
- date of death
- 0456-00-00
- Commons Creator page
- Aeschylus
- name in native language
- Αἰσχύλος
- entry in abbreviations table
- A.
- P8168
- Clifford Cocks
- P12674
- Egino
- P12749
- Dänikon
Sources (9)
via Wikidata · CC0
~32 min read
Article
29 sectionsContents
- Life
- Personal life
- Death
- Works
- Trilogies
- Surviving plays
- ''The Persians'' (472 BC)
- ''Seven Against Thebes'' (467 BC)
- ''The Suppliants'' (463 BC)
- ''The Oresteia'' (458 BC)
- ''Agamemnon''
- ''The Libation Bearers''
- ''The Eumenides''
- ''Prometheus Bound'' (date disputed)
- Lost plays
- ''Myrmidons''
- ''[[Nereids (play)|Nereids]]''
- ''[[Phrygians (play)|Phrygians]]'', or ''Hector's Ransom''
- ''[[Niobe (Aeschylus play)|Niobe]]''
- Influence
- Influence on Greek drama and culture
- Influence outside Greek culture
- Editions
- See also
- Notes
- Citations
- References
- Further reading
- External links
Aeschylus (, ; ; /524 – /455 BC) was an ancient Greek tragedian often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.
Aeschylus wrote an estimated 70 to 90 plays, of which only seven have survived in complete form. There is a long-standing debate regarding the authorship of one of them, Prometheus Bound, with some scholars arguing that it may be the work of his son Euphorion. Fragments from other plays have survived in quotations, and more continue to be discovered on Egyptian papyri. These fragments often give further insights into Aeschylus's work. He was likely the first dramatist to present plays as a trilogy, with his Oresteia being the only extant ancient example. At least one of his plays was influenced by the Persians' second invasion of Greece (480–479 BC). This work, The Persians, is one of very few known classical Greek tragedies concerned with contemporary events, and the only one extant. The significance of the war with Persia was so great to Aeschylus and the Greeks that his epitaph commemorates his participation in the Greek victory at Marathon while making no mention of his success as a playwright.
Gallery (290)
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