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Classicism

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Classicism

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Also known as classicistisc style

thumb|upright=1.35|Jacques-Louis David, [[Oath of the Horatii, 1784, an icon of Neoclassicism in painting]]

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I appreciate your request, but the context provided only contains an image caption identifying a specific artwork and artistic movement, without any substantive information about Classicism itself. I cannot write an accurate overview based solely on a caption naming a painting and the term "Neoclassicism," as this would require me to invent explanatory facts beyond what's provided. To write the overview you've requested, I would need context that actually describes what Classicism is and why it matters.

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Wikidata facts

Image
Nicolas Poussin - L'Inspiration du poète (1629).jpg
Show 4 more facts
Commons category
Classicism
start time
1660-00-00
end time
1725-00-00
subject named as
Klassizismus
Sources (5)

via Wikidata · CC0

~13 min read

Article

10 sections
Contents
  • General term
  • In the theatre
  • In literature
  • In architecture
  • In the fine arts
  • Political philosophy
  • See also
  • References
  • Further reading
  • External links

thumb|upright=1.35|Jacques-Louis David, [[Oath of the Horatii, 1784, an icon of Neoclassicism in painting]]

Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aesthetic attitude dependent on principles based in the culture, art and literature of ancient Greece and Rome, with the emphasis on form, simplicity, proportion, clarity of structure, perfection and restrained emotion, as well as explicit appeal to the intellect. The art of classicism typically seeks to be formal and restrained: of the Discobolus Sir Kenneth Clark observed, "if we object to his restraint and compression we are simply objecting to the classicism of classic art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and completeness through which it retained until the present century its position of authority in the restricted repertoire of visual images." Classicism, as Clark noted, implies a canon of widely accepted ideal forms, in the Western canon that he was examining in The Nude (1956).

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