divisionism

Also known as chromoluminarism

thumb|200px|Charles Blanc’s color wheel, which was influential in Divisionist theory

Key facts

Artwork.image_file: Robert Delaunay L'homme à la tulipe (Portrait de Jean Metzinger) 1906.jpg
Artwork.image_size: 200px
Artwork.title: ''L'homme à la tulipe (Portrait de Jean Metzinger)''
Artwork.artist: Robert Delaunay
Artwork.year: 1906
Artwork.medium: Oil on canvas
Artwork.height_metric: 72.4
Artwork.width_metric: 48.5
Artwork.height_imperial: 28.5
Artwork.width_imperial: 19.1
Artwork.metric_unit: cm
Artwork.imperial_unit: in
Artwork.city: Otterlo, Netherlands
Artwork.museum: Rijksmuseum Kröller-Müller
Artwork.italic title: no

via Wikipedia infobox

Wikidata facts

Image: Robert Delaunay L'homme à la tulipe (Portrait de Jean Metzinger) 1906.jpg

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Commons category: Divisionismo

Sources (1)

wikidata.org

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~15 min read

Article

13 sections

Contents

Theoretical foundations and development
Beginnings with Georges Seurat
Paul Signac and other artists
Color theory
Divisionism in France and Northern Europe
Divisionism in Italy
Criticism and controversy
Scientific misconceptions
Gallery
See also
References
Further reading
External links

thumb|200px|Charles Blanc’s color wheel, which was influential in Divisionist theory

Divisionism, also called chromoluminarism, is the characteristic style in Neo-Impressionist painting defined by the separation of colors into individual dots or patches that interact optically.