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Also known as Marphurius, Marforius

Marphurius or Marforio (; Medieval , ) is one of the talking statues of Rome. Marforio maintained a friendly rivalry with the most famous talking statue, Pasquin. At the talking statues, pasquinades — irreverent satires poking fun at public figures — were posted in the 16th and 17th centuries.

Key facts

Statue.italic title
no
Statue.title
Marphurius
Statue.image_file
Marforio - Palazzo Nuovo - Musei Capitolini - Rome 2016 (2).jpg
Statue.caption
Palazzo Nuovo - Musei Capitolini
Statue.other_language_1
Italian
Statue.other_title_1
Marforio
Statue.year
1st century AD
Statue.type
Talking statues of Rome
Statue.subject
OceanusThe name is a corruption of Latin mare in foro, "the sea in the forum" (inscribed near the statue's original location)
Statue.city
Palazzo Nuovo, Capitoline Museums
Statue.image_size
270
Statue.mapframe frame width
270
Statue.mapframe
yes
Statue.mapframe caption
Click on the map for a fullscreen view
Statue.mapframe zoom
12
Statue.mapframe marker
monument
Statue.mapframe wikidata
yes

via Wikipedia infobox

Wikidata facts

Image
Marforio - Palazzo Nuovo - Musei Capitolini - Rome 2016 (2).jpg
Show 1 more fact
Commons category
Marforio
Sources (3)

via Wikidata · CC0

~2 min read

Article

5 sections
Contents
  • The statue and its location
  • See also
  • Notes
  • Bibliography
  • External links

Marphurius or Marforio (; Medieval , ) is one of the talking statues of Rome. Marforio maintained a friendly rivalry with the most famous talking statue, Pasquin. At the talking statues, pasquinades — irreverent satires poking fun at public figures — were posted in the 16th and 17th centuries.

==The statue and its location== Marforio is a large 1st century Roman marble sculpture of a reclining bearded river god or Oceanus, which in the past has been variously identified as a depiction of Jupiter, Neptune, or the Tiber. It was the humanist and antiquarian Andrea Fulvio who first identified it as a river god, in 1527. The Marfoi was a landmark in Rome from the late 12th century. Poggio Bracciolini wrote of it as one of the sculptures surviving from Antiquity, and in the early 16th century it was still near the Arch of Septimius Severus, where the various authors reported it.

On the map

2 mapped locations

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