Ningal
Sign in to saveNingal (written 𒀭𒊩𒌆𒃲, dNIN.GAL; in Sumerian: "Great Queen"; in Akkadian: Nikkal) was a Mesopotamian goddess regarded as the wife of the moon god, Nanna/Sin. She was particularly closely associated with his main cult centers, Ur and Harran, but they were also worshiped together in other cities of Mesopotamia. She was particularly venerated by the Third Dynasty of Ur and later by kings of Larsa.
Key facts
- Deity.caption
- Old Babylonian fired clay plaque from Ur on display in the Sulaymaniyah Museum in Iraq depicting a goddess accompanied by Nanna’s symbol, the lunar crescent. It has been proposed that depictions of a seated goddess accompanied by a symbolic representation of Nanna might be Ningal.
- Deity.deity_of
- Tutelary goddess of Ur
- Deity.cult_center
- Ur, Harran
- Deity.consort
- Nanna/Sin
- Deity.parents
- Ningikuga and Enki
- Deity.equivalent1_type
- Hurrian
- Deity.equivalent1
- Nikkal
- Deity.type
- Mesopotamian
- Deity.name
- Ningal
- Deity.image
- File:Mesopotamian female deity seating on a chair, Old-Babylonian fired clay plaque from Ur, Iraq.jpg
via Wikipedia infobox
Wikidata facts
- Image
- Mesopotamian female deity seating on a chair, Old-Babylonian fired clay plaque from Ur, Iraq.jpg
Sources (2)
via Wikidata · CC0
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Article
9 sectionsContents
- Character and iconography
- Association with other deities
- Worship
- Ur
- Harran
- Other cities
- Outside Mesopotamia
- References
- Bibliography
Ningal (written 𒀭𒊩𒌆𒃲, dNIN.GAL; in Sumerian: "Great Queen"; in Akkadian: Nikkal) was a Mesopotamian goddess regarded as the wife of the moon god, Nanna/Sin. She was particularly closely associated with his main cult centers, Ur and Harran, but they were also worshiped together in other cities of Mesopotamia. She was particularly venerated by the Third Dynasty of Ur and later by kings of Larsa.
==Character and iconography== Ningal's name has Sumerian origin and can be translated as "Great Queen". While she was a major deity in the Mesopotamian pantheon and the worship of her is attested from all periods of history of Mesopotamia, her character was largely "passive and supportive" according to Joan Goodnick Westenholz. She was the tutelary deity of Ur. She shared it with her husband Nanna (Akkadian Sin). She was referred to as the "lady" (NIN; Early Dynastic sources) or "mother" (AMA; Ur III sources) of Ur. She and the city could be compared to a mother and her child in literary texts. She was portrayed mourning over it in laments, such as Lament for Ur or Lament for Sumer and Ur.